Panorama Audio Visual.com
2/25/2020
Special effects
supervisor Juan Ramón Molina dies
Nominated on up to 18 occasions,
Molina won the Goya for the best special effects in 1997, 2002 and 2014.
Panorama Audio Visual.com
2/25/2020
The film industry
dismisses at 69 years of age one of the reference names in the creation of
special effects: Juan Ramón Molina. Throughout fifty years as a
professional, he knew how to realize the ideas embodied in the script of
productions both in cinema, as in television and advertising.
At the head of Molina Special Effects, Juan Ramón Molina led a human and
professional team that has worked in more than four hundred productions.
In 1997, he won the Goya Award for best special effects
by Airbag , from Juanma Bajo Ulloa; in
2002 for the film 800 bullets , by Álex de la Iglesia; and in 2014, under the same
direction, by Las Brujas de Zugarramurdi.
In addition to achieving these Goyas, Molina was nominated
on up to 18 occasions for his effects in works such as Don Juan my dear ghost, The Letters
of Alou, The Invisible Child, The Hour of the Brave, Marian Year, Perfect
Crime, Romasanta the Hunt for The Beast, Therapy, The Keys of Independence,
Savior, May Blood, My Great Night or Losing the East.
The company continues today by the hand of his son, Juan
Ramón Molina.
MOLINA, Juan Ramón
Born:1951, Spain
Died: 2/?/2020, Spain
Juan Ramón
Molina’s westerns – Special Effects:
Straight to Hell – 1987
Here Comes Condemor – 1996
A Dollar for the Dead (TV) – 1998
Winnetous Rückkehr
(TV) - 1998
800 Bullets – 2002
The Sister Brothers - 2018
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