Luiz Carlos Barreto called Bolsonaro's policy for cinema
a "crime against the homeland"
Producer, who died at the age of 98, criticized cuts in audiovisual and the end of the renewal of the Screen
Veja
By Kelly Miyashiro
July 22, 2026
The death of producer Luiz Carlos Barreto, known as Barretão, at the age of 98, on Wednesday, 22, also rescues firm positions that he has adopted in defense of Brazilian cinema in recent years. In a 2020 interview, the producer classified as a "crime against the homeland" the conduct of audiovisual policy during the government of Jair Bolsonaro.
One of the most influential names in the history of national cinema, responsible for remarkable productions such as Vidas Secas (1963) and Dona Flor e seus Dois Maridos (1976), Barreto argued that the audiovisual sector should be treated as an important economic engine. For him, Brazil had the conditions to occupy a prominent position in the global entertainment industry.
"Cinema is part of the entertainment and leisure industry. This is now one of the fastest growing sectors of the world economy. Brazil has everything to be one of his leaders. This cannot be thrown away. It is a crime against the homeland what they are trying to do with Brazilian cinema," he said at the time, in conversation with Folha.
In the interview, Barretão also criticized the Bolsonaro government's decision not to renew the Screen Quota, a mechanism that, since 2001, determined the reservation of space for Brazilian films in movie theaters. According to him, the measure contradicted an obligation provided for by law. "A president who fails to comply with what is in the law is a crime of malfeasance," he declared.
The criticism extended to the scenario faced by the National Cinema Agency (Ancine), which, at that time, suffered from budget restrictions imposed by the federal government. For Barreto, the weakening of public policies aimed at audiovisual put at risk a strategic production chain for both culture and the country's economy.
Death of Luiz Carlos Barreto
The great producer of Brazilian cinema Luiz Carlos Barreto died in the early hours of Wednesday, 22, at the age of 98. Known as "Barretão", he had been facing various health problems since March 2024, after an accidental fall, and had been hospitalized since July 14
Barretão had a unique importance in the Cinema Novo scenario, when various filmmakers in Brazil decided to use cameras as a political tool, inspired by the mechanisms of Italian neorealism and the French new wave. Having graduated in Literature and worked as a journalist and photojournalist, he first served as director of photography for Vidas Secas (1963), an adaptation of the novel of the same name by Graciliano Ramos directed by Nelson Pereira dos Santos. He would repeat the function only one more time, in an even more significant film: Terra em Transe (1967), by Glauber Rocha.
In 1963, he founded the production company L.C. Barreto Produções Cinematográficas and thus provided several titles to be made. The list includes Garrincha – Alegria do Povo (1963), A Hora e a Vez de Augusto Matraga (1965) and O Dragão da Maldade Contra o Santo Guerreiro (1969).
Throughout his six-decade career, he produced more than 80 films, including historic public successes such as Dona Flor and her Two Husbands (1976), directed by his own son, Bruno Barreto — whose illustrious career still bore great fruits, including The Kiss on the Asphalt (1981) and What Is This, Companion? (1997), nominated for the Oscar for best international film. Luiz Carlos' other son, Fábio Barreto, was also a great filmmaker and competed for the Hollywood award with O Quatrilho (1995). In addition to the two, Barretão is also the father of Paula Barreto, who worked in the production of the brothers' films, among others.
The trio is the result of Luiz Carlos' marriage to Lucy Barreto, who became his work partner at L.C. Barreto. Together, they were the most renowned producer couple in the country.
Barretão participated in the backstage of God Is Still Brazilian, by Cacá Diegues, which will be released soon.
BARRETO, Luiz Carlos
Born: 7/20/1928, Sobral Ceare. Brazil
Died: 7/22/2026, Rio de Janeiro, Brazil
Luiz Carlos Barreto’s westerns – producer:
Antonio das Mortes – 1969
Luzia - 1988
















