Robin Morgan, poet and feminist whose allies included
Jane Fonda and Gloria Steinem, dies at 85
Associated Press
By Hillel Italie
September 5, 2026
NEW YORK (AP) — Robin Morgan, a wholesome child star of
the 1940s and ‘50s who grew up to become an all-American radical as a poet,
essayist, editor and second-wave feminist, has died. She was 85.
Morgan, who was still working on new books and poems,
died Saturday in New York after suffering a series of health problems in recent
weeks, said her son, Blake Morgan. Her death came just days after that of her
close friend and fellow activist Gloria Steinem.
During the 1960s and ’70s, Morgan embodied and inspired
historic changes in how women lived and thought. As she was happy to point out,
the onetime “Ideal American Girl” and adored “Little Robin Morgan” was a rule
breaker and justice seeker with a notable list of achievements, along with a
prison record and an FBI file.
Morgan was at the center of some of the defining moments
of what came to be called second-wave feminism, expanding upon the achievements
of the suffragists a half-century earlier. In 1968, she was among the
organizers of the first protest against the Miss America pageant, joining
fellow activists in tossing their bras (soon mythologized as burning) into a
“Freedom Trash Can.” The 1970 essay anthology she edited, “Sisterhood is
Powerful,” is considered one of the essential texts of the modern women’s movement.
Yet she considered herself primarily a poet and artist,
and that work fed into her activism, her son said.
“She was someone who was able to take very big ideas and
distill them succinctly, like a poet, into a few words,” said Blake Morgan,
pointing to such quotes of hers as “hate generalizes, love specifies.”
Morgan was credited for coining “herstory”
Her legacy was one of deeds, words and images. Morgan is
widely credited with coining the term “herstory,” the feminist reworking of
“history,” and popularizing the clenched fist/female symbol icon of the
liberation movement. Her poem “Monster,” with such lines as “I want a women’s
revolution like a lover/I lust for it,” was quoted at feminist rallies and
beyond. Her poem “Arraignment” helped capture the movement’s embrace of the
late Sylvia Plath and condemnation of her husband, poet Ted Hughes, whom Morgan
and others blamed for Plath’s suicide in 1963. Morgan’s rhyming couplet “I
accuse/Ted Hughes” inspired the title for Sonic Youth’s “J’Accuse Ted Hughes.”
Labeled an “anarchist housewife” in one government
report, Morgan confronted the establishment, left and right. In 1970, she and
fellow protesters were arrested and jailed after occupying the offices of the
avant-garde Grove Press, whose owner, Barney Rosset, was fighting employees’
efforts to unionize. In the widely reprinted 1970 essay “Goodbye to All That,”
she called out libertines and activists from Hugh Hefner to Abbie Hoffman, the
latter of whom she likened to “any other up-and-coming movie star who ditches
the first wife and kids.”
She led an unconventional personal life
In her personal life, Morgan had male and female lovers
and was married for more than 20 years to the gay poet Kenneth Pitchford, with
whom she had her son, a musician, producer and record company founder. She once
described her marriage as a “two member commune” and was so resistant to labels
that she remembered being “straight-baited” by feminists who thought she should
be a lesbian and chastised by conservatives who assumed she was a lesbian.
In her 2001 memoir “Saturday’s Child,” she expressed joy
and amazement at how her life turned out and how she was able to retain “a
threadbare, somewhat surreal sense of humor.”
“Put that in your apple pie and smoke it,” she wrote.
She wrote more than 20 books, including a memoir
Besides “Saturday’s Child,” she completed more than 20
books, including “The Word of a Woman: Feminist Dispatches,” and the poetry
collections “Monster” and “Dark Matter.” She followed “Sisterhood is Powerful”
with “Sisterhood is Global” (in 1984), and “Sisterhood is Forever” (2002),
featuring such contributors as Steinem, Simone de Beauvoir and Eve Ensler. For
several years, she was editor-in-chief of Ms. Magazine.
Steinem would call her an ideal “utility player,” gifted
in almost every way a protest movement might require. As an organizer, she
helped found such 1960s feminist groups as New York Radical Women and Women’s
International Terrorist Conspiracy from Hell (W.I.T.C.H.). She was part of the
Youth International Party, the left-wing “Yippies” led by Hoffman and Jerry
Rubin among others, but soon became disgusted with how the group treated women
and left.
In 1984, she was a founder of an early feminist think
tank, the Sisterhood Is Global Institute. In 2005, she, Steinem and Jane Fonda
launched the Women’s Media Center, which has a mission to support “the
visibility, viability and decision-making power of women and girls in media.”
More recently, she hosted a syndicated radio show and
remained active despite being diagnosed 16 years ago with Parkinson’s disease,
which inspired several poems and a TEDWomen talk in 2015.
She became a child star in the ‘40s
In a different era, she might have been just another
forgotten child star. Born in 1941 in Lake Worth, Florida, and raised in New
York, she never saw her father while growing up and was told — falsely — by her
mother that he was dead. Her mother also shaved a year off her age, claiming
she was born in 1942, to make her early public career seem even more
impressive.
The blonde, talented Robin was modeling by age 3, hosted
her own “Little Robin Morgan” radio show at age 5 and around the same time was
featured on the radio (later television) game show “Juvenile Jury.” From
1949-57, she appeared in the hit TV domestic comedy series “Mama” and made
appearances on “Robert Montgomery Presents,” “Kraft Theater” and other shows.
She would meet some of the era’s biggest stars, from
Abbott and Costello to Sal Mineo, and was popular enough to inspire such
commercial tie-ins as Robin Morgan dolls. Magazines described her as
“unspoiled” and “courteous” and “the ideal girl-next-door,” immune from
“violent outbursts of antagonism against established society.”
But off camera, and sometimes on, she was so apart from
her image that her first “serious” childhood poem began: “Go, rage, winter the
world with despair.” During one broadcast of “Juvenile Jury,” the question was
whether a boy deserved to be spanked. Morgan was supposed to joke that he
should wear padding under his pants, but she instead declared that all physical
punishment was wrong.
As she recalled in “Saturday’s Child,” producer Dan
Ehrenreich squeezed her shoulder so hard that Morgan could feel his
fingernails. He turned her microphone away and eventually placed his hand over
her mouth.
“I realized that I loved and respected that child who
fought back in what was the first political act I recall ever daring to make,”
Morgan wrote.
Her political activity began in her late teens
Once in her late teens, she began taking classes at
Columbia University, attended poetry workshops and became politically active.
She marched for civil rights and ending the Vietnam War and met protesters,
artists and such poets as W.H. Auden and Anthony Hecht, who gave her a man’s
eye view of the creative process, “But, my dear, women should be poems, not
write them.”
In 1962, she met Pitchford at a Manhattan party. Once the
other guests (“boozy bikers” and “stoned, hallucinating Joffrey dancers”) had
left and the host urged her to go with them, Pitchford lit candles, put
Dvorak’s “New World” symphony on the record player and became her “First.” They
later walked for hours and ended up on a downtown park bench.
“You have such an air of possibility about you, Robin” he
told her. “It makes me believe anything can happen.”
___ Associated Press writer Jennifer Peltz contributed.
MORGAN, Robin (Robin Evonne Morgan)
Born: 1/29/1942, Lake Worth, Florida, U.S.A.
Died: 9/5/2026, New York City, New York, U.S.A.
Robin Morgan’s western – actress:
Mr. I. Magination: Annie Oakley (TV) – 1952 (Robin, Annie
Oakley)
