Wednesday, May 6, 2026

RIP Dion Anderson

 

‘Shawshank Redemption’ actor dies at 87

Penn Live Patriot-News

By EmilyAnn Jackman

May 6, 2026

 

Actor Dion Anderson, best known for his roles in “The Shawshank Redemption” and “Gilmore Girls,” has died at 87.

Anderson passed away peacefully on April 26, according to his online obituary.

No cause of death for the actor was listed.

Anderson was originally from Cameron County, Texas. He received a master’s degree in fine arts from the London Academy of Music and Dramatic Art.

Soon after teaching Shakespeare in Florida, he joined the Voice of America, where he directed films and created television programs.

After completing his studies in London, he pursued a career in theater and acting, directing productions at an opera house in West Virginia before appearing in multiple television, film and stage productions.

Anderson portrayed a prison official in the beloved 1994 film “The Shawshank Redemption”. Though the role was small, it was significant in establishing the institutional setting that shaped the lives of the film’s inmates — Andy Dufresne, played by Tim Robbins, and Ellis “Red” Redding, played by Morgan Freeman.

Other films Anderson appeared in include the 2002 comedy “Mr. Deeds” and the 1991 film “Dying Young.”

He also had a prolific television career; some the shows he appeared in include “The X-Files,” “Days of Our Lives,” “Reba,” and “Cold Case.” He was also a regular on the sitcom “Townies” and appeared in two episodes of “Gilmore Girls.”

Anderson is survived by his wife, Lucinda Anderson, his children, grandchildren and great-grandchildren, as well as his extended family.

ANDERSON, Dion

Born: 8/6/1938, Cameron, Texas, U.S.A

Died: 4/26/2026, Santa Paula, California, U.S.A.

 

Dion Anderson’s western – actor:

The Gambler Returns: The Luck of the Draw (TV) - 1991 (Diamond Jim Brady)

RIP Guto Graca Mello

 

Guto Graça Mello dies, at the age of 78; remember the openings of soap operas created by the producer

Music producer was the mind behind the hits of Som Livre and Globo soap operas

Correio

By Ana Beatriz Sousa

May 5, 2026

 

Guto Graça Mello, the man who achieved the feat of transforming the soundtracks of soap operas into true objects of desire and sales phenomena, passed away this Tuesday (5), at the age of 78. Guto had been hospitalized for just over a month at the Barra D'Or Hospital and was the victim of a cardiorespiratory arrest.

Son of a lineage of artists, his parents were the actors Stella and Octávio Graça Mello, Guto breathed art. He even flirted with architecture, but music spoke louder. Over five decades, he not only produced more than 500 albums, but also shaped the 'ear' of the Brazilian.

Can you imagine Gabriela without the voice of Dorival Caymmi or the classic 'Alegre Menina'? It was Guto who had the vision to commission these works. And what about Capital Sin? Legend has it that he put together the soap opera's repertoire in just three days and convinced Paulinho da Viola to compose the anthem 'Dinheiro na mão é vendaval' in a few hours.

Guto had the gift of aligning the music perfectly with the drama of the screen. He didn't just select songs; He created sound 'trends' that made the public rush to record stores the next day.

At the head of Som Livre, Guto Graça Mello was a strategist. He used the power of TV Globo to leverage artists who are now pillars of MPB. From Rita Lee and Maria Bethânia to names that were just starting out, such as Cazuza and Lulu Santos, almost everyone who shines on the radio went through Guto's sieve and production. He was even the one who produced Xuxa's first album, which became one of the biggest sales successes in the country's history.

Even after leaving Globo and Som Livre in the late 80s, Guto never stopped. He continued to create jingles, film scores (there are more than 30 films in his curriculum) and produce albums with the perfectionism that was his trademark.

Guto Graça Mello is survived by his wife, actress Sylvia Massari, two daughters and two stepchildren.

MELLO, Guto Graça (Augusto César Graça Mello)

Born: 4/29/1948, Rio de Janeiro, Brazil

Died: 5/5/2026, Rio de Janeiro, Brazil

 

Guto Graca Mello’s western – composer:

O Cangaceiro Trapalhão – 1983

RIP Ted Turner

 

'A trailblazer, a rabble-rouser, a do-gooder': CNN founder Ted Turner dies at 87

NPR

By David Folkenflik

May 6, 2026

 

Ted Turner — the bullish founder of CNN and a suite of other cable channels, not to mention a bison steakhouse, a nonprofit designed to prevent the proliferation of nuclear weapons and an international sports competition — died Wednesday at the age of 87. He had announced just before his 80th birthday that he had Lewy Body Dementia, a degenerative disease that causes dementia and muscle failure.

Turner never seemed at a loss for brass or chutzpah.

"If Alexander the Great could conquer the known world, why couldn't I start CNN?" Turner once told Oprah Winfrey.

He launched the Cable News Network — the nation's first continuous all-news television station — on June 1, 1980 at a converted Jewish country club in Atlanta. The network broadcast news 24/7 from that point on and indeed built a global array of bureaus.

Former CNN chief news executive Eason Jordan says Turner took inspiration from 24-hour radio stations that relayed news headlines, and endless sports highlights on ESPN. Turner remained baffled why the broadcast giants — ABC, NBC and CBS — hadn't launched cable stations.

"To him it was just the most logical thing in the world and he couldn't understand why nobody else was doing it," Jordan says. "So he was going to do it."

Sixteen years later, NBC (in partnership with Microsoft) and Fox would launch sibling cable news channels. Each ultimately found success by embracing strong (though opposing) points of view. Broadcast networks subsequently sought to replicate the original cable ethos with stripped down streaming services.

Turner, a colorful figure with a Southern drawl and rail-thin mustache, had pronounced views himself, often (though not exclusively) of a liberal bent. But he wanted his station to reflect the news, not ideology. He thought human understanding across borders would benefit from reporting on stories and people around the world.

"He was a visionary, a trailblazer, a rabble-rouser, a do-gooder — and he thought there would be a market for it," Jordan says.

Turner often carried a mischievous twinkle in his eye. And his values had been incubated in an earlier era.

Jordan joined CNN in 1982 while he was still in college, working overnights as a desk assistant during his first few years. Back then, Turner often slept in a pull-down Murphy bed in his office above the newsroom. He would come down to the newsroom to grab coffee, Jordan recalls, but did not usually interact with the staff. The first time they met, Jordan says, was because Turner had a guest.

"It was Raquel Welch," Jordan says. "They were both in bathrobes. And Ted was so proud of himself for having such good company that he introduced himself and Raquel Welch to everyone in the newsroom at 4 o'clock in the morning."

"Chicken Noodle News"

CNN has been a mainstay of television journalism for so long it’s hard to remember that it was often underestimated in its infancy.

In the 1980s, many people didn’t understand what the fuss was about, longtime broadcast journalist Joie Chen recalls.

“Many people didn’t even have cable yet. I didn’t have cable growing up,” says Chen, who joined CNN as an international anchor in 1991. “In those early years, you know, CNN was just considered ‘Chicken Noodle News’ and Ted Turner was at first just considered a dilettante.”

CNN became a training ground for journalists who would be hired by better paying outlets. Chen left CNN in 2001, later working at CBS and Al Jazeera.

“Look, we were young and at times very shoddy, but we were the only game in town and we did some extraordinary things,” Jordan says.

Over time, whenever news was happening, CNN was there. CNN broadcasted live when catastrophe struck the space shuttle Challenger and its crew in 1986.

And in 1991, CNN experienced a defining moment — effectively owning television coverage of the first US-led war against Iraq. It was the only U.S. network able to broadcast live from Baghdad as bright flashes from bombs lit the sky.

Anchor Bernard Shaw and Pulitzer Prize-winning war correspondent Peter Arnett were among those CNN journalists who projected calm under fire.

Chen recalls Turner never intended for his journalists to become famous and, she contends, he underpaid his staff.

CNN anchors Jake Tapper and Dana Bash speaking to members of the audience before the start of the CNN Republican presidential debate in Des Moines, Iowa, Jan. 10, 2024.

CNN has endured turmoil for years. Now Trump wants role in its fate

“We were always told Ted’s mantra was, ‘You are not the star; the news is the star,” she says. She left CNN at the end of 2001.

Competition grows

Even as he struck an exuberant tone, Turner's mood could swing to depression. He also battled again and again with rival media tycoon Rupert Murdoch – and even threatened to do so with his fists in Las Vegas, as The Guardian recounted.

Murdoch's New York Post in turn questioned Turner's sanity. Meanwhile, Turner maintained a friendly rapport with the late Cuban autocrat Fidel Castro.

In later years, as CNN competed not just with other cable channels but digital news outlets and social media, it lagged behind its TV peers in ratings. Executives turned over prime time to higher-rated opinion panel discussions featuring ideological clashes.

Conservatives and pro-Trump commentators repeatedly accused the network of listing to the left.

But it retained its journalistic DNA to a significant extent, rising to the moment as its reporting teams covered political developments, natural disasters and armed conflicts. That was part of Turner's legacy too.

Turner married and divorced three times; his third marriage was to Hollywood and fitness star Jane Fonda in 1991.

He also took on lots of debt – and investors – to make ambitious deals at a time when his main rivals, including Murdoch, were launching all-news cable stations. Eventually, it became too much.

In 1996, Turner sold CNN and the rest of his company, Turner Broadcasting System, Inc., to Time Warner for about $7.34 billion – a move he deeply regretted. A few years later – in 2000 – Time Warner sold itself to AOL, against Turner's wishes. The AOL deal is considered one of the worst mergers in U.S. corporate history. Turner has called it "one of the biggest disasters that have occurred to our country."

In 2001, his marriage to Fonda — a source of strength – ended. And shortly after that, he was completely out at AOL, separating from the company he'd spent a half-century building.

"I lost Jane. I lost my job here," Turner said in a 2012 interview on CNN's Piers Morgan Tonight.

He added, earning laughter from Morgan, "I lost my fortune, most of it, got a billion or two left. You can get by on that if you economize,"

Yet he demonstrated resilience. "You carry on. And I found other things to do."

"Other things to do"

Turner had been finding other things to do for years. He was relentlessly competitive and an accomplished yachtsman — he won the America's Cup sailing competition in 1977.

In the 1970s, Turner bought a television station and made it into the national "superchannel" now known as TBS; He also bought the Atlanta Braves to ensure content for it. The Braves became one of the nation's most popular baseball teams during the generation he owned or ran it; the team appeared repeatedly in the World Series in the 1990s and early aughts.

In 1986, Turner launched the Goodwill Games, an international competition meant to bypass the Cold War fights that had broken out over the Olympics. It lasted until 2001.

In 1997, as Turner was being honored by the United Nations, he pledged to donate a billion dollars to it. With that money, he created what's known as The UN Foundation that has helped the international institution endure.

As the years progressed, Turner created the Nuclear Threat Initiative to secure loose nuclear weapons in the former Soviet republics and elsewhere. He also gave widely to conservation and anti-global warming efforts. His philanthropy helped inspire the "Giving Pledge" of Warren Buffett, Bill Gates and other billionaires – and he was one of the first signatories to it.

He also founded Ted's Montana Grill with hopes of making bison a popular alternative to beef. Turner had been raising bison on his many ranches, and saw the restaurant chain as a way to reach customers while saving the species from extinction.

"I was 10 years old when I first read about them," he told Bethesda Magazine in 2015. "I said then I was going to work hard, see if I can make some money, and then I'm going to buy some land and raise bison and see if I can get the herd back away from the door of extinction."

In his final years, the flamboyant showman retreated from the public eye. Ever direct, he publicly acknowledged his affliction with Lewy Body Dementia, or LBD, in 2018. He spent much of his later life out of the public eye, whether in Atlanta or riding horses and fishing at his vast properties in Montana.

TURNER, Ted (Robert Edward Turner III)

Born: 11/19/1938, Cincinnati, Ohio, U.S.A.

Died: 5/6/2026, Tallahassee, Florida, U.S.A.

 

Ted Turner’s westerns – producer, actor:

Gettysburg – 1993 (Colonel Wallet T. Patton)

Dead for a Dollar - 1998 [producer]

Outlaw Justice - 1999 [producer]

Gods and Generals – 2003 (Colonel Tazewell Patton)

Saturday, May 2, 2026

RIP Novillo Cruz

José María Cruz Novillo, the designer of Spain's most emblematic logos, dies at the age of 89

He is known as "the man who designed Spain", the title of the documentary that illustrates the aesthetic evolution of the country throughout his renowned professional career

El Correo Gallego

By Inés Sánchez

May 2, 2026

 

The designer José María Cruz Novillo, author of some of the most emblematic logos in the country, has died at the age of 89, according to 'Gráffica'. He was in charge of changing the appearance of Spanish entities after the Franco dictatorship and is the creator of the corporate image of companies such as Correos, Repsol, Endesa or Renfe. He is known as "the man who designed Spain", the title of the documentary that illustrates the aesthetic evolution of the territory throughout his renowned professional career.

The first to trust this renowned designer were the PSOE, to whom he gave the well-known logo of the fist and the rose, and Correos. But it also belongs to the icons of the National Police, the banknotes of the Bank of Spain, the flag and coat of arms of the Community of Madrid and that of media such as El Mundo, COPE, Diario 16 or El Economista. He is one of the undoubted personalities of graphic design in the country and this is endorsed by all the recognitions he has received throughout his career: National Design Award in 1997, Gold Medal for Merit in Fine Arts in 2012, academic of the Royal Academy of Fine Arts of San Fernando, Honorary Postman of the Post Office in 2019 and Laus de Honor in 2023.

The recognition of Honorary Postman of Correos allows you to be one of the only people who does not pay for postal mail. They consider that because of personalities such as Cruz Novillo they have achieved the recognition of the company. Correos turned to him to change the brand after 19 years, when he wanted to bet on "simplicity, sustainability and modernity" to address the new times of the company. Cruz Novillo made a renovation at all levels with a design with ink and vinyl reduction, eliminating decorative elements and replacing packaging with 100% recycled cardboard.

Beyond his relevance as a graphic designer, he always defined himself as an artist. "I'm a cartoonist, I always have been," he explained in an interview with 'Gráffica'. In fact, he began his career as a painter and sculptor, a condition that has also catapulted him into his profession. In his first stage in Madrid after leaving his native Cuenca he was selected to attend the New York World's Fair in 1964, where he began to direct his career towards design. In his extensive professional career he also had a presence in cinema, designing posters for films such as 'The Spirit of the Beehive', 'The National Shotgun' or 'Mondays in the Sun'.

CRUZ, Novillo (José María Cruz Novillo)

Born: 5/21/1936, Cuenca, Castile–La Mancha, Spain

Died: 5/2/2026, Madrid, Madrid, Spain

 

Novillo Cruz’s western – title design

Ride and Kill - 1964

Thursday, April 30, 2026

RIP David Allan Coe

 

David Allan Coe Dies: “Outlaw” Country Singer Who Wrote Defiant ‘Take This Job And Shove It’ Was 86

DEADLINE

By Greg Evans

April 30, 2026

 

David Allan Coe, the country singer-songwriter who helped define Nashville’s “outlaw” sound of the 1970s and ’80s, and wrote “Take This Job and Shove It,” the song that would become the anthem of disaffected workers during the economic upheaval of the decade, died at a hospital Wednesday, April 29. He was 86.

His death was announced by his wife to Rolling Stone magazine. A cause and exact location of death were not disclosed. Coe reportedly was hospitalized several years ago with Covid-19 and had mostly retreated from public appearances since then, though it is not known whether Covid played a part in his passing.

Along with Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson, Jessi Colter and others, Coe was a major part of the “outlaw country” movement that swept Nashville in the mid-1970s, offering listeners a rougher, rawer, more rebellious back-to-the-roots approach to country than the slick, string-heavy pop-ish “Nashville Sound,” or “Countrypolitan,” that had been dominant since the 1960s.

While Coe was a noted country singer in his own right, with hits, written by others, including “You Never Even Call Me by My Name,” “Tennessee Whiskey” and “Mona Lisa Lost Her Smile,” his most lasting impact was perhaps as a songwriter. His “Take This Job and Shove It,” with its smack-you-in-the-face opening lyric (“Take this job and shove it/I ain’t workin’ here no more/A woman done left and took all the reasons/I was working for”) was a massive and influential hit for the singer Johnny Paycheck in 1977.

The song was so popular that it inspired a feature film comedy of the same name in 1981. Directed by Gus Trikonis and starring Robert Hays, Barbara Hershey, Art Carney, and David Keith, the Take This Job And Shove It cast also included Coe and Paycheck in small roles.

Several years before “Take This Job…” became a smash, Coe wrote “Would You Lay With Me (in a Field of Stone),” a song that became a 1974 hit for a teenaged Tanya Tucker.

Born September 6, 1939, in Akron, Ohio, Coe did time in reformatories during his youth and, from 1963 to 1967 was imprisoned in Ohio for possession of burglary tools. His first album, 1970’s Penitentiary Blues, features songs he wrote while in prison. Four years later he recorded the album The Mysterious Rhinestone Cowboy, which he publicized by performing in a sparkly suit and a mask.

Unlike the more conservative, clean-cut country stars of the ’60s, Coe and the other “outlaws” took on a biker look – Coe himself had been part of a biker gang – that included long hair, beards, tattoos and cowboy hats. One of his hits, 1976’s “Longhaired Redneck,” summed up the image in one song title. The look, as well as the sounds, would make a lasting impact on country music.

Throughout his long popularity, Coe toured with Willie Nelson, Neil Young and even Kid Rock. Along the way, he wrote and recorded albums and songs that pushed boundaries with their racy lyrics, particularly on the 1978 album Nothing Sacred and 1982’s Underground Album. Sexually explicit, the songs also included lyrics that were racist and homophobic, songs he would later regret. In a 2001 Billboard magazine interview, he said, “Those were meant to be sung around the campfire for bikers, and I still don’t sing those songs in concert.”

In later years Coe had serious tussles with the IRS, causing debt, bankruptcy and the lost of publishing rights to even his biggest hits. His final album, in which he collaborated with heavy metal’s Dimebag Darrell and other former members of Pantera, was released in 2006.

Complete information on survivors was not immediately available.

COE, David Allan

Born: 9/6/1939, Akron, Ohio, U.S.A.

Died: 4/29/2026

 

David Allan Coe’s westerns – actor:

The Last Days of Frank and Jesse James – 1986 (Whiskeyhead Ryan)

Stagecoach - 1986 (Ike Plummer) 


Tuesday, April 28, 2026

RIP Steve Maslow

 

Steve Maslow, Three-Time Oscar-Winning Sound Mixer Behind ‘Empire Strikes Back,’ ‘Raiders of the Lost Ark,’ and ‘Speed’, Dead at 81

That Eric Alper

April 28, 2026

 

Steve Maslow heard movies the way the rest of us could only hope to. The three-time Academy Award-winning sound mixer, known to everyone in the industry as “Maz,” died Monday at a therapy facility in West Hills following a battle with cancer. He was 81.

Born in Los Angeles on October 17, 1944, Maslow found his way into sound through music, working as a roadie for psychedelic rock outfit Strawberry Alarm Clock before engineering recordings for Frankie Valli and the Four Seasons, among others. When the music industry shifted, Maslow pivoted to film, and the results were immediate. His first Oscar nomination came quickly, and his first win followed on the back of two of the most consequential films ever made.

Maslow took home back-to-back Academy Awards for The Empire Strikes Back and Raiders of the Lost Ark, then added a third for Speed in 1995. Seven total Oscar nominations across a career that touched more than 200 films, nearly 130 of them alongside his long-running creative partner Gregg Landaker, a partnership that began with Star Trek: The Motion Picture in 1979. Maslow specialized in dialogue and music, Landaker in sound effects, and together they helped define how blockbuster cinema sounds.

The breadth of his filmography is staggering. He worked with John Carpenter on Escape From New York, The Thing, and Starman. He worked with Tim Burton on Beetlejuice, Edward Scissorhands, and Batman Returns. His credits also include Ferris Bueller’s Day Off, Broadcast News, The Naked Gun, Mad Max: Fury Road, and Stop Making Sense, a career that crossed every genre and generation without ever losing its standard of excellence.

“We lost one of the best of the best,” wrote 16-time Oscar-nominated sound mixer Greg P. Russell on Instagram. “Anytime he ever walked onto a stage I was mixing on, he’d walk over to me and lean on my shoulder and say, ‘You’re not gonna leave it like that, are ya?’ Loved to laugh with him.” Maslow is survived by his wife Ronna, his son Travis, and a granddaughter. He was 81.

MASLOW, Steve (Steve Noah Maslow)

Born: 10/17/1944, Los Angeles, California, U.S.A.

Died: 4/27/2026, West Hills, California, U.S.A.

 

Steve Maslow’s westerns – sound department:

My Heroes Have Always Been Cowboys – 1991

Bad Girls – 1994

Seraphim Falls - 2006

Monday, April 27, 2026

RIP Gerry Conway

 

Gerry Conway, 'The Punisher & The Amazing Spider-Man' writer, dies at 73

Gerry Conway has contributed to both Marvel and DC comics in his influential career

The News

By Hassan Sohail

April 27, 2026

 

Gerry Conway has a legendary reputation in the comic book world. However, at age 73, the comic book writer passed away.

Marvel Comics confirmed the industry titan's death in a sorrowful statement.

"On behalf of his family, we are sad to share that Gerry Conway has passed away. Gerry was a tremendous icon in comics who shaped pop culture itself. He was a dear friend, partner, and mentor, and our hearts are with his family and the millions he touched through his work."

It is immediately unclear what the cause of death of the comic giant is.

Though he beat pancreatic cancer in 2023 after suffering from it in 2022.

Throughout his career in the industry, Conway co-created the gun-blazing The Punisher, known for his ruthlessness.

Aside from this, the late writer penned a shocking moment in comic book history that stunned many readers, which was The Night Gwen Stacy Died.

Part of The Amazing Spider-Man's storyline, written by Conway, it created a ripple in the industry which influenced the storytelling of the superhero genre.

At 19, Conway stepped into the high shoes of the legendary Stan Lee on his The Amazing Spider-Man project, expanding his work and proving to be a prodigy.

While at his stint at Marvel, the late writer was known for developing scores of villains, including the Jackal, Hammerhead, and Tombstone.

Time at DC

However, Marvel was not his only stop in his comic book career. He switched to rival DC Comics, where he created several unforgettable characters such as Firestorm, Power Girl, Vixen, Loller Croc, and Jason Todd.

Conway was known for developing groundbreaking work. His 1976 crossover, Superman vs. The Amazing Spider-Man, is an example, bringing rival comic book characters together.

Conway's stint at TV

In Conway's forte, he moved beyond comics. For example, in television, he penned Law & Order: Criminal Intent, Diagnosis: Murder, and Father Dowling Mysteries.

He was born in 1952 in Brooklyn.

CONWAY, Gerry (Gerald Francis Conway)

Born: 9/10/1952, Brooklyn, New York, U.S.A.

Died: 4/27 2026, Thousand Oaks, California, U.S.A.

 

Gerry Conway’s westerns – comic book writer:

Weird Western Tales – 1966-1972

All-Star Western – 1970

Jonah Hex – 1977-1978