Wednesday, May 13, 2026

RIP Donald Gibb

 

'Revenge of the Nerds'

Actor Donald Gibb Dead at 71

TMZ

May 12, 2026

 

Donald Gibb -- best known for playing the lovable brute "Ogre" in the "Revenge of the Nerds" franchise -- has died ... TMZ has learned.

Gibbs' son, Travis, tells TMZ ... Donald passed Tuesday evening due to health complications. He says he died at his home in Texas, where he was surrounded by family, including his kids, who loved him deeply.

We're told his death was not sudden, as Donald had been battling ongoing health issues.

Travis and his family tells us ... Donald loved the Lord and his family, friends and fans with all his heart, and they ask for prayers and privacy during this difficult time. They add that their father will be deeply missed and forever remembered.

Donald became a cult icon in the 1980s thanks to his role as the intimidating --but oddly endearing -- fraternity brother in "Revenge of the Nerds" as well as its sequels. His towering presence and comedic timing made "Ogre" one of the most memorable characters in the franchise.

Beyond that breakout role, Gibb built a steady career in film and television, appearing in projects like "Bloodsport," "U.S. Marshals," and "Hancock." He often played tough-guy roles, leaning into his imposing stature, but those who worked with him knew him as a kind and down-to-earth person off-screen.

Donald was 71.

RIP.

GIBB, Donald (Donald Richard Gibb)

Born: 8/4/1954, New York City, New York, U.S.A.

Died: 5/12/2026, Texas, U.S.A.

 

Donald Gibb’s westerns – actor:

Savate – 1999 (Cody Johnson)

Durango Kids – 1999 (Mountain Man Morris

Tuesday, May 12, 2026

RIP Jack Taylor

 

Jack Taylor, legend of European fantasy and dean actor of Spanish cinema, dies

El Mundo

By Daniel Izeddin

May 12, 2026

 

Jack Taylor, cult actor, unmistakable face of European fantasy and a resident of Chamberí for more than six decades, has died. He did it this morning at the age of 99.

Born George Brown Randall in Oregon City on October 21, 1926, Taylor went through almost a century of cinema without ever losing the desire to continue working, already becoming an unrepeatable figure of horror, B series and auteur cinema shot between Spain, Mexico and Europe.

As a child, he discovered his vocation when he stepped on a school stage dressed as Santa Claus. In 1938, he listened to Orson Welles' famous radio program The War of the Worlds, which announced an alien invasion, and was so impressed that years later he decided to create his own radio space.

At the age of 25, Taylor spent a year in San Francisco saving up to go to Los Angeles to try his luck as an actor, where he debuted on comedian Jack Benny's television show, coinciding with Marilyn Monroe herself. That time in Hollywood had something of learning and also of disenchantment. Taylor himself explained it by quoting a phrase from his childhood hero Orson Welles: "Hollywood is a place where you go to bed young and wake up at 65", so he decided to leave California in search of an industry less rigid than that of the big studios. "I wanted to go to Italy, but I didn't have any money. Then I took my car and I drove thousands of kilometers to Mexico, where I arrived without even speaking the language."

But in just 8 months he learned to defend himself in Spanish, integrating himself into an industry that he himself compared to the North American for his ambition and professional muscle. Julio Alejandro, Buñuel's screenwriter, wrote for him his first leading role in The Ivory Tower (Alfonso Corona, 1958). That stage allowed him to work in popular and fantastic cinema, which he would later connect with his later status as an icon of European horror, participating in productions linked to sagas such as Neutron or Nostradamus, popular titles of Mexican fantasy cinema. "'People loved them. They were films for the people," he recalled in 2025 in an interview for this newspaper. Taylor is related at that stage with other essential names in the Mexican film environment, such as María Félix or Emilio "El Indio" Fernández.

CHAMBERÍ, THE NEIGHBORHOOD THAT WELCOMED HIM

Already at the beginning of the 60s, the Oregon native arrived in Spain almost accidentally, dragged by the theatrical success he had achieved in Mexico with the musical comedy La pelirroja, since one of its producers, who was Spanish, decided to take it to Madrid to represent it at the Teatro de la Zarzuela in 1961; that trip, which at first was only a professional stopover, ended up becoming a definitive change of life, because after making his debut in the capital he decided to stay and live, settling since then in the traditional neighborhood of Chamberí, where he has remained until his death.

In our country he found a definitive place to live and a consolidated career in the seventh art, where his tall, pale, elegant and strangely magnetic presence would end up making him unforgettable. It began almost as a silhouette within the great machinery of epic cinema, with an appearance in Cleopatra, by Joseph L. Mankiewicz. "If you blink you won't see me, but I'm there, playing Rex Harrison's Greek slave," he said of his role as an extra.

His first character with dialogue in Spanish cinema came from the hand of director Pedro L. Ramírez in Los guerrilleros (1963), where he played Dubois, a lieutenant in Napoleon's Army. The film was also the film debut of Manolo Escobar and Rocío Jurado.

From there, Taylor wandered through the ambiguous, nocturnal and feverish territory of Spanish fantaterror, where his physique and accent made him a perfect presence for sinister scientists, shady aristocrats, disturbing priests or refined villains.

His name was forever linked to the universe of Jesús Franco, with whom he shot eight films in a decade. Taylor remembered the director as an endearing man, overflowing with imagination, chaotic at times, but essential in his career; from that collaboration were born titles such as Necronomicon or Count Dracula, and also a way of making films on the margins of everything, multilingual, improvised, artisanal and free.

Jack Taylor's career has been as extensive as it has been unique, working with more than 40 directors on some 140 films and several television series. The actor moved naturally between international blockbusters, popular fantasy and the freest and most heterodox cinema. He shared credits with actors and actresses such as Christopher Lee, Klaus Kinski, Paul Naschy, Arnold Schwarzenegger, Soledad Miranda and Natalie Portman, and was under the orders of filmmakers such as Roman Polanski, Ridley Scott, Joseph, Robert Siodmak, Milos Forman, Amando de Ossorio, Juan Piquer Simón, León Klimovsky, Javier Aguirre. "I think he's the best actor I've ever worked with. And our time co-directing together in theater, especially in Auto de los Reyes Magos, was a great learning experience. A great friend is leaving, a real one," said Víctor Matellano, another of the directors who directed him.

Among his most remembered roles are the ambiguous Luis inThe Night of the Vampires (1973); archaeology professor Jonathan Grant in Night of the Sorcerers (1974); the priest whose robe Arnold Schwarzenegger tears off in Conan the Barbarian (1982); Professor Arthur Brown in A Thousand Screams Has the Night (1982); the captain of a whaler in La iguana (1988), by Monte Hellman; the collector of old books Victor Fargas in The Ninth Door (1999), by Roman Polanski; Quincey Morris in Count Dracula (1970), the film by Jesús Franco in which he shared a cast with Christopher Lee and Klaus Kinski; or in a more recent stage, the sinister Doctor Knox in Wax (2014), by Víctor Matellano. The actor participated in series such as Goya (1986), Cervantes (1981) or Curro Jiménez (1977).

But Jack Taylor wasn't just an actor. He was also a set designer, theatre director and writer, someone who spoke of silent films, impossible shootings, censorship, festivals and sets with the same naturalness with which he spoke of wine, reading or walks. Even in old age he was still linked to new projects, such as his participation as one of the voices narrating the recent documentary Call me Paul, about the figure of Paul Naschy, with whom he coincided on three occasions.

Those who dealt with him found in him not only a living memory of fantasy cinema, but also irony, lucidity and a humility rare in someone who had shared the screen with several generations of legends. Recently he said that he had not made pacts with the devil because he was 99 years old, despite having frequented him so many times in fiction, and attributed his vitality to walking, reading, listening to music and continuing to be interested in everything.

Tireless until the end, he recently published his memoirs, My 100 Years of Cinema (Sial Pygmalion Publishing Group), and told us that he was waiting for a new role that he did not want to talk about so that it would not be lost.

TAYLOR, Jack (George Brown Randall)

Born: 10/21/1936, Oregon City, Oregon, U.S.A.

Died: 5/12/2026, Chamberí, Madrid, Spain

 

Jack Taylor’s westerns – actor:

Billy the Kid – 1963 (Blackie/Black Jack)

Tomb of the Pistolero – 1964 (Herbert/Russ Brandon)

Fall of the Mohicans – 1965 (Major Duncan Heyward)

The Christmas Kid – 1966 (John Novak)

Custer of the West -1967

Sons of Trinity – 1994 (Theopolis)

Once Upon a Time in Europe (TV) – 2001 [himself]

Jack Taylor – 2007 [himself]

Print the Legend – 2023 [narrator]

Wednesday, May 6, 2026

RIP Dion Anderson

 

‘Shawshank Redemption’ actor dies at 87

Penn Live Patriot-News

By EmilyAnn Jackman

May 6, 2026

 

Actor Dion Anderson, best known for his roles in “The Shawshank Redemption” and “Gilmore Girls,” has died at 87.

Anderson passed away peacefully on April 26, according to his online obituary.

No cause of death for the actor was listed.

Anderson was originally from Cameron County, Texas. He received a master’s degree in fine arts from the London Academy of Music and Dramatic Art.

Soon after teaching Shakespeare in Florida, he joined the Voice of America, where he directed films and created television programs.

After completing his studies in London, he pursued a career in theater and acting, directing productions at an opera house in West Virginia before appearing in multiple television, film and stage productions.

Anderson portrayed a prison official in the beloved 1994 film “The Shawshank Redemption”. Though the role was small, it was significant in establishing the institutional setting that shaped the lives of the film’s inmates — Andy Dufresne, played by Tim Robbins, and Ellis “Red” Redding, played by Morgan Freeman.

Other films Anderson appeared in include the 2002 comedy “Mr. Deeds” and the 1991 film “Dying Young.”

He also had a prolific television career; some the shows he appeared in include “The X-Files,” “Days of Our Lives,” “Reba,” and “Cold Case.” He was also a regular on the sitcom “Townies” and appeared in two episodes of “Gilmore Girls.”

Anderson is survived by his wife, Lucinda Anderson, his children, grandchildren and great-grandchildren, as well as his extended family.

ANDERSON, Dion

Born: 8/6/1938, Cameron, Texas, U.S.A

Died: 4/26/2026, Santa Paula, California, U.S.A.

 

Dion Anderson’s western – actor:

The Gambler Returns: The Luck of the Draw (TV) - 1991 (Diamond Jim Brady)

RIP Guto Graca Mello

 

Guto Graça Mello dies, at the age of 78; remember the openings of soap operas created by the producer

Music producer was the mind behind the hits of Som Livre and Globo soap operas

Correio

By Ana Beatriz Sousa

May 5, 2026

 

Guto Graça Mello, the man who achieved the feat of transforming the soundtracks of soap operas into true objects of desire and sales phenomena, passed away this Tuesday (5), at the age of 78. Guto had been hospitalized for just over a month at the Barra D'Or Hospital and was the victim of a cardiorespiratory arrest.

Son of a lineage of artists, his parents were the actors Stella and Octávio Graça Mello, Guto breathed art. He even flirted with architecture, but music spoke louder. Over five decades, he not only produced more than 500 albums, but also shaped the 'ear' of the Brazilian.

Can you imagine Gabriela without the voice of Dorival Caymmi or the classic 'Alegre Menina'? It was Guto who had the vision to commission these works. And what about Capital Sin? Legend has it that he put together the soap opera's repertoire in just three days and convinced Paulinho da Viola to compose the anthem 'Dinheiro na mão é vendaval' in a few hours.

Guto had the gift of aligning the music perfectly with the drama of the screen. He didn't just select songs; He created sound 'trends' that made the public rush to record stores the next day.

At the head of Som Livre, Guto Graça Mello was a strategist. He used the power of TV Globo to leverage artists who are now pillars of MPB. From Rita Lee and Maria Bethânia to names that were just starting out, such as Cazuza and Lulu Santos, almost everyone who shines on the radio went through Guto's sieve and production. He was even the one who produced Xuxa's first album, which became one of the biggest sales successes in the country's history.

Even after leaving Globo and Som Livre in the late 80s, Guto never stopped. He continued to create jingles, film scores (there are more than 30 films in his curriculum) and produce albums with the perfectionism that was his trademark.

Guto Graça Mello is survived by his wife, actress Sylvia Massari, two daughters and two stepchildren.

MELLO, Guto Graça (Augusto César Graça Mello)

Born: 4/29/1948, Rio de Janeiro, Brazil

Died: 5/5/2026, Rio de Janeiro, Brazil

 

Guto Graca Mello’s western – composer:

O Cangaceiro Trapalhão – 1983

RIP Ted Turner

 

'A trailblazer, a rabble-rouser, a do-gooder': CNN founder Ted Turner dies at 87

NPR

By David Folkenflik

May 6, 2026

 

Ted Turner — the bullish founder of CNN and a suite of other cable channels, not to mention a bison steakhouse, a nonprofit designed to prevent the proliferation of nuclear weapons and an international sports competition — died Wednesday at the age of 87. He had announced just before his 80th birthday that he had Lewy Body Dementia, a degenerative disease that causes dementia and muscle failure.

Turner never seemed at a loss for brass or chutzpah.

"If Alexander the Great could conquer the known world, why couldn't I start CNN?" Turner once told Oprah Winfrey.

He launched the Cable News Network — the nation's first continuous all-news television station — on June 1, 1980 at a converted Jewish country club in Atlanta. The network broadcast news 24/7 from that point on and indeed built a global array of bureaus.

Former CNN chief news executive Eason Jordan says Turner took inspiration from 24-hour radio stations that relayed news headlines, and endless sports highlights on ESPN. Turner remained baffled why the broadcast giants — ABC, NBC and CBS — hadn't launched cable stations.

"To him it was just the most logical thing in the world and he couldn't understand why nobody else was doing it," Jordan says. "So he was going to do it."

Sixteen years later, NBC (in partnership with Microsoft) and Fox would launch sibling cable news channels. Each ultimately found success by embracing strong (though opposing) points of view. Broadcast networks subsequently sought to replicate the original cable ethos with stripped down streaming services.

Turner, a colorful figure with a Southern drawl and rail-thin mustache, had pronounced views himself, often (though not exclusively) of a liberal bent. But he wanted his station to reflect the news, not ideology. He thought human understanding across borders would benefit from reporting on stories and people around the world.

"He was a visionary, a trailblazer, a rabble-rouser, a do-gooder — and he thought there would be a market for it," Jordan says.

Turner often carried a mischievous twinkle in his eye. And his values had been incubated in an earlier era.

Jordan joined CNN in 1982 while he was still in college, working overnights as a desk assistant during his first few years. Back then, Turner often slept in a pull-down Murphy bed in his office above the newsroom. He would come down to the newsroom to grab coffee, Jordan recalls, but did not usually interact with the staff. The first time they met, Jordan says, was because Turner had a guest.

"It was Raquel Welch," Jordan says. "They were both in bathrobes. And Ted was so proud of himself for having such good company that he introduced himself and Raquel Welch to everyone in the newsroom at 4 o'clock in the morning."

"Chicken Noodle News"

CNN has been a mainstay of television journalism for so long it’s hard to remember that it was often underestimated in its infancy.

In the 1980s, many people didn’t understand what the fuss was about, longtime broadcast journalist Joie Chen recalls.

“Many people didn’t even have cable yet. I didn’t have cable growing up,” says Chen, who joined CNN as an international anchor in 1991. “In those early years, you know, CNN was just considered ‘Chicken Noodle News’ and Ted Turner was at first just considered a dilettante.”

CNN became a training ground for journalists who would be hired by better paying outlets. Chen left CNN in 2001, later working at CBS and Al Jazeera.

“Look, we were young and at times very shoddy, but we were the only game in town and we did some extraordinary things,” Jordan says.

Over time, whenever news was happening, CNN was there. CNN broadcasted live when catastrophe struck the space shuttle Challenger and its crew in 1986.

And in 1991, CNN experienced a defining moment — effectively owning television coverage of the first US-led war against Iraq. It was the only U.S. network able to broadcast live from Baghdad as bright flashes from bombs lit the sky.

Anchor Bernard Shaw and Pulitzer Prize-winning war correspondent Peter Arnett were among those CNN journalists who projected calm under fire.

Chen recalls Turner never intended for his journalists to become famous and, she contends, he underpaid his staff.

CNN anchors Jake Tapper and Dana Bash speaking to members of the audience before the start of the CNN Republican presidential debate in Des Moines, Iowa, Jan. 10, 2024.

CNN has endured turmoil for years. Now Trump wants role in its fate

“We were always told Ted’s mantra was, ‘You are not the star; the news is the star,” she says. She left CNN at the end of 2001.

Competition grows

Even as he struck an exuberant tone, Turner's mood could swing to depression. He also battled again and again with rival media tycoon Rupert Murdoch – and even threatened to do so with his fists in Las Vegas, as The Guardian recounted.

Murdoch's New York Post in turn questioned Turner's sanity. Meanwhile, Turner maintained a friendly rapport with the late Cuban autocrat Fidel Castro.

In later years, as CNN competed not just with other cable channels but digital news outlets and social media, it lagged behind its TV peers in ratings. Executives turned over prime time to higher-rated opinion panel discussions featuring ideological clashes.

Conservatives and pro-Trump commentators repeatedly accused the network of listing to the left.

But it retained its journalistic DNA to a significant extent, rising to the moment as its reporting teams covered political developments, natural disasters and armed conflicts. That was part of Turner's legacy too.

Turner married and divorced three times; his third marriage was to Hollywood and fitness star Jane Fonda in 1991.

He also took on lots of debt – and investors – to make ambitious deals at a time when his main rivals, including Murdoch, were launching all-news cable stations. Eventually, it became too much.

In 1996, Turner sold CNN and the rest of his company, Turner Broadcasting System, Inc., to Time Warner for about $7.34 billion – a move he deeply regretted. A few years later – in 2000 – Time Warner sold itself to AOL, against Turner's wishes. The AOL deal is considered one of the worst mergers in U.S. corporate history. Turner has called it "one of the biggest disasters that have occurred to our country."

In 2001, his marriage to Fonda — a source of strength – ended. And shortly after that, he was completely out at AOL, separating from the company he'd spent a half-century building.

"I lost Jane. I lost my job here," Turner said in a 2012 interview on CNN's Piers Morgan Tonight.

He added, earning laughter from Morgan, "I lost my fortune, most of it, got a billion or two left. You can get by on that if you economize,"

Yet he demonstrated resilience. "You carry on. And I found other things to do."

"Other things to do"

Turner had been finding other things to do for years. He was relentlessly competitive and an accomplished yachtsman — he won the America's Cup sailing competition in 1977.

In the 1970s, Turner bought a television station and made it into the national "superchannel" now known as TBS; He also bought the Atlanta Braves to ensure content for it. The Braves became one of the nation's most popular baseball teams during the generation he owned or ran it; the team appeared repeatedly in the World Series in the 1990s and early aughts.

In 1986, Turner launched the Goodwill Games, an international competition meant to bypass the Cold War fights that had broken out over the Olympics. It lasted until 2001.

In 1997, as Turner was being honored by the United Nations, he pledged to donate a billion dollars to it. With that money, he created what's known as The UN Foundation that has helped the international institution endure.

As the years progressed, Turner created the Nuclear Threat Initiative to secure loose nuclear weapons in the former Soviet republics and elsewhere. He also gave widely to conservation and anti-global warming efforts. His philanthropy helped inspire the "Giving Pledge" of Warren Buffett, Bill Gates and other billionaires – and he was one of the first signatories to it.

He also founded Ted's Montana Grill with hopes of making bison a popular alternative to beef. Turner had been raising bison on his many ranches, and saw the restaurant chain as a way to reach customers while saving the species from extinction.

"I was 10 years old when I first read about them," he told Bethesda Magazine in 2015. "I said then I was going to work hard, see if I can make some money, and then I'm going to buy some land and raise bison and see if I can get the herd back away from the door of extinction."

In his final years, the flamboyant showman retreated from the public eye. Ever direct, he publicly acknowledged his affliction with Lewy Body Dementia, or LBD, in 2018. He spent much of his later life out of the public eye, whether in Atlanta or riding horses and fishing at his vast properties in Montana.

TURNER, Ted (Robert Edward Turner III)

Born: 11/19/1938, Cincinnati, Ohio, U.S.A.

Died: 5/6/2026, Tallahassee, Florida, U.S.A.

 

Ted Turner’s westerns – producer, actor:

Gettysburg – 1993 (Colonel Wallet T. Patton)

Dead for a Dollar - 1998 [producer]

Outlaw Justice - 1999 [producer]

Gods and Generals – 2003 (Colonel Tazewell Patton)

Saturday, May 2, 2026

RIP Novillo Cruz

José María Cruz Novillo, the designer of Spain's most emblematic logos, dies at the age of 89

He is known as "the man who designed Spain", the title of the documentary that illustrates the aesthetic evolution of the country throughout his renowned professional career

El Correo Gallego

By Inés Sánchez

May 2, 2026

 

The designer José María Cruz Novillo, author of some of the most emblematic logos in the country, has died at the age of 89, according to 'Gráffica'. He was in charge of changing the appearance of Spanish entities after the Franco dictatorship and is the creator of the corporate image of companies such as Correos, Repsol, Endesa or Renfe. He is known as "the man who designed Spain", the title of the documentary that illustrates the aesthetic evolution of the territory throughout his renowned professional career.

The first to trust this renowned designer were the PSOE, to whom he gave the well-known logo of the fist and the rose, and Correos. But it also belongs to the icons of the National Police, the banknotes of the Bank of Spain, the flag and coat of arms of the Community of Madrid and that of media such as El Mundo, COPE, Diario 16 or El Economista. He is one of the undoubted personalities of graphic design in the country and this is endorsed by all the recognitions he has received throughout his career: National Design Award in 1997, Gold Medal for Merit in Fine Arts in 2012, academic of the Royal Academy of Fine Arts of San Fernando, Honorary Postman of the Post Office in 2019 and Laus de Honor in 2023.

The recognition of Honorary Postman of Correos allows you to be one of the only people who does not pay for postal mail. They consider that because of personalities such as Cruz Novillo they have achieved the recognition of the company. Correos turned to him to change the brand after 19 years, when he wanted to bet on "simplicity, sustainability and modernity" to address the new times of the company. Cruz Novillo made a renovation at all levels with a design with ink and vinyl reduction, eliminating decorative elements and replacing packaging with 100% recycled cardboard.

Beyond his relevance as a graphic designer, he always defined himself as an artist. "I'm a cartoonist, I always have been," he explained in an interview with 'Gráffica'. In fact, he began his career as a painter and sculptor, a condition that has also catapulted him into his profession. In his first stage in Madrid after leaving his native Cuenca he was selected to attend the New York World's Fair in 1964, where he began to direct his career towards design. In his extensive professional career he also had a presence in cinema, designing posters for films such as 'The Spirit of the Beehive', 'The National Shotgun' or 'Mondays in the Sun'.

CRUZ, Novillo (José María Cruz Novillo)

Born: 5/21/1936, Cuenca, Castile–La Mancha, Spain

Died: 5/2/2026, Madrid, Madrid, Spain

 

Novillo Cruz’s western – title design

Ride and Kill - 1964

Thursday, April 30, 2026

RIP David Allan Coe

 

David Allan Coe Dies: “Outlaw” Country Singer Who Wrote Defiant ‘Take This Job And Shove It’ Was 86

DEADLINE

By Greg Evans

April 30, 2026

 

David Allan Coe, the country singer-songwriter who helped define Nashville’s “outlaw” sound of the 1970s and ’80s, and wrote “Take This Job and Shove It,” the song that would become the anthem of disaffected workers during the economic upheaval of the decade, died at a hospital Wednesday, April 29. He was 86.

His death was announced by his wife to Rolling Stone magazine. A cause and exact location of death were not disclosed. Coe reportedly was hospitalized several years ago with Covid-19 and had mostly retreated from public appearances since then, though it is not known whether Covid played a part in his passing.

Along with Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson, Jessi Colter and others, Coe was a major part of the “outlaw country” movement that swept Nashville in the mid-1970s, offering listeners a rougher, rawer, more rebellious back-to-the-roots approach to country than the slick, string-heavy pop-ish “Nashville Sound,” or “Countrypolitan,” that had been dominant since the 1960s.

While Coe was a noted country singer in his own right, with hits, written by others, including “You Never Even Call Me by My Name,” “Tennessee Whiskey” and “Mona Lisa Lost Her Smile,” his most lasting impact was perhaps as a songwriter. His “Take This Job and Shove It,” with its smack-you-in-the-face opening lyric (“Take this job and shove it/I ain’t workin’ here no more/A woman done left and took all the reasons/I was working for”) was a massive and influential hit for the singer Johnny Paycheck in 1977.

The song was so popular that it inspired a feature film comedy of the same name in 1981. Directed by Gus Trikonis and starring Robert Hays, Barbara Hershey, Art Carney, and David Keith, the Take This Job And Shove It cast also included Coe and Paycheck in small roles.

Several years before “Take This Job…” became a smash, Coe wrote “Would You Lay With Me (in a Field of Stone),” a song that became a 1974 hit for a teenaged Tanya Tucker.

Born September 6, 1939, in Akron, Ohio, Coe did time in reformatories during his youth and, from 1963 to 1967 was imprisoned in Ohio for possession of burglary tools. His first album, 1970’s Penitentiary Blues, features songs he wrote while in prison. Four years later he recorded the album The Mysterious Rhinestone Cowboy, which he publicized by performing in a sparkly suit and a mask.

Unlike the more conservative, clean-cut country stars of the ’60s, Coe and the other “outlaws” took on a biker look – Coe himself had been part of a biker gang – that included long hair, beards, tattoos and cowboy hats. One of his hits, 1976’s “Longhaired Redneck,” summed up the image in one song title. The look, as well as the sounds, would make a lasting impact on country music.

Throughout his long popularity, Coe toured with Willie Nelson, Neil Young and even Kid Rock. Along the way, he wrote and recorded albums and songs that pushed boundaries with their racy lyrics, particularly on the 1978 album Nothing Sacred and 1982’s Underground Album. Sexually explicit, the songs also included lyrics that were racist and homophobic, songs he would later regret. In a 2001 Billboard magazine interview, he said, “Those were meant to be sung around the campfire for bikers, and I still don’t sing those songs in concert.”

In later years Coe had serious tussles with the IRS, causing debt, bankruptcy and the lost of publishing rights to even his biggest hits. His final album, in which he collaborated with heavy metal’s Dimebag Darrell and other former members of Pantera, was released in 2006.

Complete information on survivors was not immediately available.

COE, David Allan

Born: 9/6/1939, Akron, Ohio, U.S.A.

Died: 4/29/2026

 

David Allan Coe’s westerns – actor:

The Last Days of Frank and Jesse James – 1986 (Whiskeyhead Ryan)

Stagecoach - 1986 (Ike Plummer)