Wednesday, September 18, 2024

RIP Danny Kamin

 

Legacy.com

Daniel Tucker Kamin

09/18/1947 - 01/28/2024

 

Daniel Tucker Kamin passed away peacefully, surrounded by his family on January 28, 2024. Danny is survived by his wife of 33 years, Betsy, and his son Wyatt. He grew up in Victoria, Texas and was the son of Morris and Carolyn Kamin. He was blessed to have a younger brother, Tuck Kamin, who passed away in November 2023. He is also survived by his brothers & sisters- in- law Michael Bonvillain, Stephanie Giles (Peter), Bryan Boudreaux (Leslie), Donna Montgomery (Jerry) and Cathleen Kamin. Danny also leaves behind numerous nieces, nephews and cousins, not to mention his pack of doodles - Skipper, Polly and Jesse.

Danny was an award-winning photographer, trial lawyer and actor. His photos were published in several magazines and were the subject of multiple exhibitions. As an Assistant United States Attorney, he was awarded the John Marshall Award for the Trial of Litigation by Attorney General William French Smith. Danny was a proud member of SAG/AFTRA and had roles in over fifty productions, including Lonesome Dove, Young Guns, and The Bodyguard.

Despite his many interests, Danny's primary focus and passion were his family and friends. He would strike up a conversation with anyone - from foreign ministers to the man on the street. He was a great listener and brought innumerable cherished friends into the family. Even if you met Danny only briefly, you no doubt learned about his admiration and love for Betsy, and how proud he was of Wyatt.

A lover of the arts from a young age, Danny graduated from Emerson College with a degree in Speech and Fine Arts, then obtained his law degree from St. Mary's University. Betsy and Wyatt traveled the world with Danny and have many fond memories of their adventures together in Japan, Azerbaijan, the Cayman Islands, and other places too numerous to mention.

The family wishes to extend a special note of gratitude to everyone who cared for him in the Methodist LTACH (Jones 8). Their care and unbelievable compassion for Danny and our family knew no bounds and we will never forget them.

KAMIN, Danny (Daniel Tucker Kamin)

Born: 9/18/1947, Victoria, Texas, U.S.A.

Died: 1/28/2024, Houston, Texas, U.S.A.

 

Danny Kamin’s westerns – actor:

The Return of Desperado (TV) – 1988 (Sharkey)

Young Guns – 1988 (Sheriff Brady)

Lonesome Dove (TV) – 1989 (Captain Weaver)

Oklahoma Passage (TV) – 1989 (Stand Waite)

Big Bad John – 1990 (Jacque)

Walker, Texas Ranger (TV) – 1995 (Carl Blandford)

Rough Riders (TV) – 1997 (General Young)

The Newton Boys – 1998 (district attorney)

Dead Birds – 2004 (Captain)

RIP JD Souther

 

JD Souther, a singer-songwriter who penned hits for the Eagles and Linda Ronstadt, dies at 78

Associated Press

September 18, 2024

 

LOS ANGELES (AP) — John David “JD” Souther, a prolific songwriter and musician who helped shape the country-rock sound that took root in Southern California in the 1970s with his collaborations with the Eagles and Linda Ronstadt, has died at the age of 78.

Souther, who collaborated on some of the Eagles' biggest hits, such as “Best of My Love," “James Dean,” "New Kid in Town," and “Heartache Tonight,” died Tuesday at his home in New Mexico, according to an announcement on his website.

He also worked with James Taylor, Bob Seger, Bonnie Raitt and many more, and also found success as a solo artist. He was about to start a tour with Karla Bonoff on Sept. 24 in Phoenix, now canceled.

When he was inducted into the Songwriters Hall of Fame in 2013, Souther was described as “a principal architect of the Southern California sound and a major influence on a generation of songwriters.” He was also at the heart of the social scene, his girlfriends including Ronstadt, Joni Mitchell and Stevie Nicks, who in a 1982 interview with High Times magazine remembered him as “very, very, very male chauvinistic and very sweet and cute and wonderful but very Texas.”

Souther was born in Detroit and grew up in Amarillo, Texas. He moved to Los Angeles in the late 1960s, where he met fellow Michigan native Glenn Frey, a founding member and guitarist of the Eagles. The two began a longtime partnership, starting with a band called Longbranch Pennywhistle. Frey would credit Souther with introducing him to country music.

“Our first year together will always seem like yesterday to me,” Souther said in a statement after Frey died in 2016. “His amazing capacity for the big joke and that brilliant groove that lived inside him are with me, even now, in this loss and sorrow. ... The music and the love are indestructible.”

Souther was so close to the Eagles, he even appeared on the back cover of their 1973 album, “Desperado,” with Souther and others reenacting the capture of the legendary Dalton Gang. He described his start with Frey at The Troubadaour, the popular West Hollywood music club, as “the best study in songwriting I can imagine.”

“So many great songwriters came through — Laura Nyro, Kris Kristofferson, Randy Newman, Elton John, James Taylor, Tim Hardin, Carole King, Rick Nelson, Joni Mitchell, Neil Young, Waylon Jennings, Tim Buckley, Gordon Lightfoot, Taj Mahal and more,” he said in a statement on his website. "It seems impossible now to imagine that much music in a year and a half or so, but that was my life and the Troubadour was our university.

"It’s also where I met Linda Ronstadt and where Don Henley and Glenn Frey met to form this little country rock band called Eagles that would go on to make musical history,” Souther wrote.

On his own, Souther recorded his self-titled debut in 1972 before forming The Souther-Hillman-Furay Band with former Byrds member Chris Hillman and Poco’s Richie Furay. A second solo effort in 1976, Black Rose, included a duet with Ronstadt, his one-time girlfriend, “If You Have Crying Eyes.” Other duets he had recorded with her include “Prisoner in Disguise,” “Sometimes You Can’t Win” and “Hearts Against the Wind,” the latter featured in the 1980 film “Urban Cowboy.”

His biggest hit as a solo artist was “You’re Only Lonely,” from the 1979 album of the same name.

Other songs he wrote include “Run Like a Thief,” for Bonnie Raitt, and “Faithless Love” and “White Rhythm and Blues" for Ronstadt. He collaborated and sang with James Taylor on “Her Town Too."

Among other artists he worked with as a singer were Don Henley, Christopher Cross, Dan Fogelberg and Roy Orbison.

He appeared as an actor on television in “thirtysomething,” “Nashville” and “Purgatory” and in the films “Postcards from the Edge,” “My Girl 2,” and “Deadline.”

SOUTHER, JD (John David Southern)

Born: 11/3/1946, Detroit, Michigan, U.S.A.

Died: 9/17/2024, Albuquerque, New Mexico, U.S.A.

 

JD Souther’s western – actor:

Purgatory (TV) – 1999 (Brooks/Jesse James)

Saturday, September 14, 2024

RIP Franca Bettoja

 

Franca Bettoja, Ugo Tognazzi's wife, has died

Spettacolo

September 14, 2024

 

She was born in Rome on May 14, 1936 and was married to the great actor from 1972 until his death on October 27, 1990

Wife, mother and actress... Franca Bettoja, wife of Ugo Tognazzi, to whom she was married from 1972 until her death in Rome on October 27, 1990, passed away at the age of 88. Her acting career began with a small part in the film Un palco all'opera (1955) which was the prelude to her participation in Pietro Germi's L'uomo di paglia (1958). Her interpretation of the tormented character of Rita struck film critics to the point that the role earned her a nomination for the Grolla D'oro as best actress in a leading role.

MARRIED UGO TOGNAZZI IN 1972

Her artistic career had good success with the television series La pisana (1960); in 1962 she was nominated for the Silver Ribbon for Best Supporting Actress for her role as Marcella in the film Day by Day, Desperately by Oscar winner Alfredo Giannetti. In 1963 she starred alongside Vincent Price in the film The Last Man on Earth, considered a cult film and which inspired many other genre films in the years to come. In 1972 she married Ugo Tognazzi with whom she had worked in the film Il fischio al naso, which he directed in 1967: they already had two children, Gianmarco and Maria Sole. After the wedding, her film appearances will become increasingly rare: the last dates back to 1993 in Claudio Fragasso's Shaved Heads, where she plays the part of the mother of the character played by her son Gianmarco.

BETTOJA, Franca (Franca Bettoia)

Born: 5/14/1936, Rome, Lazio, Italy

Died:  9/?/2024, Rome, Lazio, Italy

 

Franca Bettoja’s western – actress:

Don’t Touch the White Woman! - 1973 (Rayon de Lune)

Thursday, September 12, 2024

RIP Chad McQueen

 

Chad McQueen, ‘The Karate Kid’ Star and Steve McQueen’s Son, Dies at 63

Variety

By Diego Ramos Bechara

September 12, 2024

 

Chad McQueen, son of the legendary actor Steve McQueen who played “Dutch” in “The Karate Kid” film series, died Wednesday in Palm Springs. He was 63.

His wife Jeanie and his children Chase and Madison said in a statement to Variety, “It is with a heavy heart that we announce the passing of our father, Chad McQueen. His remarkable journey as a loving father to us, along with his unwavering commitment to our mother, truly exemplified a life filled with love and dedication,” reads the statement. “His passion for racing not only highlighted his exceptional talent but also served as a way to honor his father’s legacy, a testament to the values instilled in him.”

It continues: “He passed his passion, knowledge and dedication down to us, and we will continue not only his legacy but our grandfather’s as well. As a family, we need to navigate this difficult time, and we kindly ask for privacy as we remember and celebrate his extraordinary life.”

McQueen is best known for his role as “Dutch” in “The Karate Kid” (1984) and its sequel, “The Karate Kid Part II” (1986). His portrayal of one of the Cobra Kai members was iconic in ’80s pop culture. His character, in particular, exhibited a merciless attitude and encouraged Johnny Lawrence (played by William “Billy” Zabka) to brutally beat up Daniel LaRusso (Ralph Macchio) during the night of the Halloween dance.

His character also mocks and threatens the New Jersey native before the All-Valley Tournament. During the second season of the TV series “Cobra Kai,” it is revealed that Dutch has been serving time in prison. Though there were talks of McQueen potentially appearing in the show, scheduling issues reportedly prevented it.

Although he would continue to appear in other films, such as “New York Cop” (1993) and “Red Line” (1995), his film career was not as extensive as his father’s. Following in his father’s footsteps, however, McQueen had a successful career in auto racing, his true passion. He competed professionally in events like the 24 Hours of Le Mans and the 12 Hours of Sebring and founded McQueen Racing, a company that develops high-performance cars and motorcycles, continuing the family legacy of passion for automobiles.

In 2006, McQueen suffered a near-fatal crash while practicing for the Daytona International Speedway’s Rolex 24 event. Though he eventually pulled through, the crash effectively ended his professional racing career, but he has remained involved in motorsports through his company and other ventures.

McQueen was born in Los Angeles on Dec. 28, 1960. He was raised in Malibu.

He is survived by his wife, Jeanie, and his children, Chase, Madison and Steven, a professional actor best known for his role in “The Vampire Diaries.”

McQUEEN, Chad (Chadwick Steven McQueen)

Born: 12/28/1960, Los Angeles, California, U.S.A.

Died: 9/11/2024, Palm Springs, California, U.S.A.

 

Chad McQueen’s western – producer’s assistant:

Tom Horn - 1980

RIP Kenneth Cope

 

Kenneth Cope Dies: British Actor Who Starred In ‘Coronation Street’ & ‘Randall And Hopkirk’ Was 93

DEADLINE

By Baz Bamigboye

September 12, 2024

 

British actor Kenneth Cope, a popular TV and film star in the 1960s and 70s thanks to leading appearances in Randall and Hopkirk (Deceased) and Coronation Street, has died. He was 93.

Cope’s former agent Sandra Chalmers, of The Artists Partnership, announced that he died at his home in the northern seaside town of Southport in Sefton, Liverpool, the area where he was born in 1931.

Renny Lister, Cope’s wife of 63 years, and family members, including actress daughter Martha Cope, were by his side. He is also survived by children Nick and Mark.

Chalmers said Cope was an “incredible icon of British TV & film.” Cope and Lister met in 1961 when they both joined the cast of long-running ITV soap Coronation Street. He played petty crook Jed Stone as a semi-regular through the early and mid-1960s. He later returned to the role after an absence of 42 years.

He honed his craft in repertory with the Bristol Old Vic and made his first appearance on television in 1952, playing a musician in a TV film adaptation of Shakespeare’s The Two Gentlemen of Verona as a musician. The camera liked him and he performed a string of roles throughout the 1950s.

The sixties proved to be a breakthrough decade for him with the double whammy of him playing in Coronation Street and, starting in 1962, he spent a year appearing with David Frost, Millicent Martin, Roy Kinnear, David Kernan, Willie Rushton, and Lance Percival on This Was The Week That Was, a seminal late-night satirical show that aimed its sharp wit at the establishment.

This Was The Week That Was quickly became essential Saturday night viewing. The BBC show dared to highlight the murkier goings on in political life, particularly salacious political scandals, causing some politicians and prominent public figures to demand that it be taken off the air.

The furor only propelled Cope’s career. He went on to play roles in the popular show of the day including Z Cars, The Avengers and We Have Ways of Making You Laugh, the celebrated sketch show written by Frank Muir and Dick Vosburgh.

In the late 1960s, the producer Monty Berman came up with an idea for a show titled Randall and Hopkirk (Deceased) — called My Partner the Ghost in the U.S. — about two private detectives: Jeff Randall, played by Mike Pratt, and Marty Hopkirk, played by Cope. The twist being that Cope’s Hopkirk is murdered but returns as a ghost — in a cream-colored suit — to help his former partner bring the killer to justice.

It took a little while to catch on, but the show eventually became a hit for the old ATV and LWT ITV stations. The show went on to become highly influential and it was revived decades later with Vic Reeves and Bob Mortimer.

Cope also appeared in movies Carry on at Your Convenience and Carry on Matron, although he was uncredited for a small role in 1964s Carry on Jack. He also appeared in Rentadick, Juggernaut, the film version, TV comedy George and Mildred, and Captives.

As Cope’s last agent, the family requested that Chalmers announce his passing. In a statement, Chalmers wrote:  “It is with great sadness the family wish to announce the passing of Kenneth Cope 14/04/1931 -11/09/2024. Ken passed away yesterday peacefully in his sleep with his wife and family by his side.”

COPE, Kenneth (Kenneth Charles Cope)

Born: 6/14/1931, Liverpool, Merseyside, England, U.K.

Died: 9/11/2024, Southport, Sefton, England, U.K.

 

Kenneth Cope’s westerns – actor:

The Desperados! – 1969 (Carlin)

Bootle Saddles (TV) – 1984 (Percy ‘Jesse’ James)

Wednesday, September 11, 2024

RIP Peter Renaday

 

Peter Renaday

'Ninja Turtles' Voice Actor Dead At 89

TMZ

9/10/2024

 

Peter Renaday -- best known as the original voice of Master Splinter on the "Teenage Mutant Ninja Turtles" animated TV show -- has died, TMZ has learned.

Law enforcement tells TMZ cops did a welfare check at Peter’s Burbank home Sunday after receiving a call, and they found him dead inside. The death appears to be natural and isn’t being handled as a medical examiner case.

Peter's niece, Mindy Zachary tells TMZ his cause of death is unclear, but she notes Peter's air conditioning had been out, and with Los Angeles’ recent heatwave, temperatures inside his home in the Valley had reached the 90s.

Although Mindy isn’t sure if it was a heat stroke, natural causes, or something else ... she added to us the family feels Peter’s death doesn’t need further investigation.

Peter had a hugely successful career spanning several films, TV shows, and video games over nearly 6 decades.

Peter's most famous work was voicing Master Splinter in the 1987 animated adaptation of "Teenage Mutant Ninja Turtles" ... which ran until the show’s finale in 1996.

He later reprised his role as Splinter for the non-musical spoken parts of the live-action "TMNT: Coming Out of Their Shells" concert event, which was recorded at Radio City Music Hall in 1990.

Other major voice roles included Abraham Lincoln in "The Hall of Presidents" -- along with Henry and Max in the "Country Bear Jamboree" attractions in the Disney Parks.

On the personal front, Renaday was married to Florence "Flo" Daniel -- who worked as Walt Disney Studio’s music department secretary for many years -- from 1959 until her retirement in 1985.

He was 89.

RIP

RENADAY, Peter (Pierre Laurent Renoudet)

Born: 6/9/1935, New Iberia, Louisiana, U.S.A.

Died: 9/8/2024, Burbank, California, U.S.A.

 

Peter Renaday’s westerns – actor, voice actor:

The Apple Dumpling Gang Rides Again – 1979 (jailer)

Outlaws – 1997 [voice of Chief Two Feathers, cowboy]

Tuesday, September 10, 2024

RIP Giacomo Dell’Orso

 

Maestro Giacomo Dell'Orso has left us

Goodbye Giacomo Dell'Orso

Collonnesonore

By Massimo Privitera

September 9, 2024

Today Maestro Giacomo Dell'Orso left us and, sincerely, with a huge lump in my throat, I would like to remember him through a phone call that we had precisely on April 8 before the meeting in which his wife Edda Dell'Orso, famous vocalist of multiple soundtracks of our Cinema (many of those for Ennio Morricone), would have talked about her professional relationship with Maestro Piero Piccioni in a talk dedicated to him within the "Roma Film Music Festival", curated by me. The sweet, petite and affectionately loving Edda, while I was offering her a cappuccino with brioche at the bar, calls her 94-year-old husband, who has stayed at home for some health problems, to find out how he feels; suddenly he hands it to me on his cell phone, because Giacomo wants to thank me for inviting his wife to tell anecdotes of the glorious years of the Eighth Italian Art and to know himself how I, 52 years old, am certainly excited by such a phone call and so much tender thought towards me. I told Giacomo, an extraordinarily kind and humanly cordial man, as well as a great musician, who had a tried but gritty voice despite his venerable age, if he remembered our long interview at his Roman home together with Edda 18 years earlier, in 2006 (you can read it here), and he promptly replied yes, which had left him a good memory and a lot of esteem for me. Esteem that I have always poured into all the great Artisans of Film Music in our country (and beyond), as Giacomo Dell'Orso was rightfully so, that is, those who have composed a multitude of leitmotifs for films of all kinds, more than their much more emblazoned overseas colleagues, especially the latter remembered for having written for blockbuster or more trumpeted films and belonging to the so-called Serie A of the Seventh Art (and on this nomenclature there would be a lot to quibble but this is not the most appropriate moment).

In Italy we have had top composers of music for films (and not only: for TV and Theater) on a par with and even more (excuse the parochialism) than the rest of Europe and neighboring nations and, I repeat, our Dell'Orso, also known by the pseudonym of Oscar Lindok (born in Ofena near L'Aquila on December 2, 1930), composer, arranger and multi-instrumentalist, husband of the aforementioned well-known singer and vocalist Edda Dell'Orso and brother of the equally popular composer, producer and record publisher of GDM Music (a famous label among soundtrack lovers) Gianni Dell'Orso, was a worthy representative. After graduating in piano, organ and composition at the Accademia di Santa Cecilia in Rome, until the age of 37 he taught mathematics to devote himself later and exclusively to music, his first real great passion, as an orchestrator, conductor (on TV he collaborated with Pippo Caruso and in the many scores of the singer and composer Nico Fidenco, his trusted friend), arranger and composer of soundtracks, including (not many to tell the truth), precisely for the aforementioned genre cinema, Emanuelle Nera by Bitto Albertini in 1975 with the collaboration of his brother Gianni, L'infermiera di mio padre in 1975 by Mario Bianchi, Belli e brutti ridono tutti in 1978 by Domenico Paolella (again in collaboration with Gianni), Caligula and Messalina of 1982 by Bruno Mattei, Christmas Holidays '91 by Enrico Oldoini together with his brother Gianni and Manuel De Sica. In addition to film music, he has released soundtrack albums for Rai, using the aforementioned pseudonym of Lindok and has written a lot of organ music for ecclesiastical celebrations.

DELL’ORSO, Giacomo (Pietro Giacomo Dell’Orso)

Born: 12/2/1931, Ofena, L'Aquila, Italy

Died: 9/9/2024, Rome, Lazio, Italy

 

Giacomo Dell’Orso’s westerns – conductor:

Those Dirty Dogs – 1973

Macho Killers – 1977

RIP Mina Panić

 

Mina Panić obituary 

The Guardian

By Tim Robinson

September 6, 2024

 

My friend and former colleague, Mina Panić, who has died aged 57 from breast cancer, became a BBC TV director after leaving the former Yugoslavia with nothing more than a sharp intellect and an iron will.

Arriving penniless in London in 1988, she initially slept rough at Hyde Park Corner but soon found lodgings with compatriots. She taught herself French from movies after pretending to her boss at a restaurant that she could speak it. Fortunately, she was a gifted linguist, who already spoke English, Russian, four Balkan languages and Italian, picked up Polish on shoots and, after two days in Alexandria, was communicating in Arabic. During her last days she brushed up her Russian with the help of a Ukrainian nurse.

Born and raised in the northern city of Novi Sad, to Serb and Croat parents, Raja, a car mechanic, and his wife, Mira, Mina detested nationalist strife and always referred to her homeland, even after its breakup into seven new countries in the late 1990s, as “the former Yugoslavia”. At school (at Karlovic gymnasium in Novi Sad), her brilliance was quickly noticed by the state, which tried, unsuccessfully, to recruit her to the Communist party.

In London, her tips from the French restaurant paid for BA courses at SOAS – in art history and archaeology, then anthropology and film – until she was entitled to grants. Then she took an MA in television documentary at Goldsmiths, University of London, having worked and exhibited as a freelance photographer.

Joining the BBC in 1999, she climbed from researching to assistant producing and producing/directing, specialising in science, archaeology and history. She and I met while making a BBC Two Meet the Ancestors special in 2003 about Napoleon’s frozen retreat from Moscow. She selected entries from the diaries of thousands of French soldiers, which we dramatised in Lithuanian blizzards and minus 30C temperatures. I was credited producer/director, but it was really a collaboration. By then hooked on extreme weather, Mina volunteered for another gruelling three week MTA shoot in the Mauritanian Sahara where temperatures breached 50C and her digital thermometer melted.

Our next collaborations were on episodes of the BBC Two flagship history series Timewatch, where we introduced crowd-enlarging CGI to TV audiences in Zulu: The True Story (2003) and Who Killed Stalin? (2005). After meeting Stalin’s gutsy niece, Kira Alliluyeva, a gulags survivor, Mina named her first daughter Kira. Masha followed. Their father was the architect Carlo Negri, whom Mina met in 1998 and married in April this year in Sweden, where they made their last home.

Mina is survived by Carlo, her daughters, and her mother and brother, with whom Mina enjoyed idyllic summer holidays on Brač Island, in Croatia.

PANIC, Mina

Born: 1967, Novi Sad, Serbia, Yugoslavia

Died: 9/?/2024, London, England, U.K.

 

Mina Panić’s western – producer:

The Wild West (TV) - 2006

RIP Will Jennings

 

Will Jennings, Oscar-Winning ‘My Heart Will Go On’ Co-Writer, Dies at 80

The Songwriters Hall of Fame member was also behind hits like "Up Where We Belong" and "Tears in Heaven."

Billboard

By Mitchell Peters

9/7/2024

 

Will Jennings, the Oscar- and Grammy-winning co-writer of Titanic‘s “My Heart Will Go On” and other hit songs by Eric Clapton, Steve Winwood and Whitney Houston, has died. He was 80.

The superstar lyricist passed away Friday (Sept. 6) at his home in Tyler, Texas, his caregiver Martha Sherrod confirmed to The Hollywood Reporter. A cause of death was not provided, but Jennings had been experiencing health issues in recent years.

“A sad time, the passing of Will Jennings, a maestro, brilliant mind and a gentle spirit. It was an enormous honor to have worked with such a musical genius,” former J. Geils Band singer Peter Wolf, who collaborated with Jennings, wrote on X (formerly Twitter) Saturday.

During his career, the Songwriters Hall inductee co-wrote six songs that reached No. 1 on the Billboard Hot 100 chart: Barry Manilow’s “Looks Like We Made It” (1977); Joe Cocker and Jennifer Warnes’ “Up Where We Belong” (1982); Winwood’s “Higher Love” (1986); Houston’s “Didn’t We Almost Have It All” (1987); Winwood’s “Roll With It” (1988); and Celine Dion’s “My Heart Will Go On” (1998).

Jennings also collaborated with Clapton on “Tears in Heaven,” which hit No. 2 on the Hot 100 and topped Billboard‘s Adult Contemporary chart for three weeks in 1992. The tribute to Clapton’s late son also earned the pair a song of the year trophy at the 35th annual Grammy Awards.

Jennings won best original song at the Academy Awards in 1983 for co-writing An Officer and a Gentleman‘s “Up Where We Belong” alongside Jack Nitzsche and Buffy Sainte-Marie. He took home the same honor in 1998 for the Titanic classic “My Heart Will Go On,” which he co-wrote with composer James Horner (who died in 2015). The Dion-sung ballad also won Grammys for record and song of the year.

Jennings was born in Kilgore, Texas, in 1944. Before hitting it big in songwriting, he was a professor at Tyler Junior College and later Austin State University, before teaching at the University of Wisconsin-Eau Claire. His résumé also includes musical collaborations with superstars like B.B. King, Mariah Carey, Jimmy Buffett and Roy Orbison.

Jennings is survived by his wife, Carole, and his sisters, Joyce and Gloria.

JENNINGS, Will (Wilbur H. Jennings)

Born: 6/27/1944, Kilgore, Texas, U.S.A.

Died: 9/6/2024, Tyler, Texas, U.S.A.

 

Will Jennings’ western – song lyrics:

An American Tail: Fievel Goes West - 1991

RIP Robert Sidaway

 

Robert Sidaway obituary 

Actor, documentary-maker and producer who spent decades in independent international film production and development 

The Guardian

By Toby Hadoke

September 9, 2024

 

Robert Sidaway, who has died aged 82, spent a decade as a busy actor in popular British television programmes before utilising his entrepreneurial and creative skills to flourish behind the camera.

He had a great mainstream success with the documentary series Best of British (1987-94), which explored UK film from the 1930s to the 1980s. It was co-written and produced with his son Ashley, with whom he enjoyed a fruitful 40-year professional partnership.

Having discovered that the film libraries at the Rank Organisation were free to licence Robert found himself “picking up 30 cans of film, putting them in a supermarket trolley and trundling them down Wardour Street to the post-production studio we were using. I remember thinking: ‘I hope nobody sees me – we should have an assistant doing this’.”

The result, a series of compilations featuring clips from classic films grouped together thematically, narrated first by John Mills and then Anthony Quayle, was broadcast on prime time BBC television over 67 episodes. “The BBC needed a filler against Coronation Street,” he recalled “and it did so well we got five seasons of it.”

A series along similar lines for Channel 4 in 1994 – The World of Hammer – raided that studio’s blood-spattered archive and was narrated by Oliver Reed. Cult-Tastic: Tales from the Trenches (2019), with Roger and Julie Corman, showcased the independent film-maker along similar lines.

The enterprising father and son were also early advocates of digital film-making. They wrote and produced Rainbow (1995), a children’s fantasy with ambitious effects sequences directed by and starring Bob Hoskins. Developed amid an atmosphere of industry scepticism, it became the first all-digital feature production, but suffered distribution woes and was never released theatrically in the US. Sidaway was, nonetheless, satisfied that he had proved the doubters wrong and showed what could be done with technology now commonplace in the industry.

Sidaway as Captain Turner filming the Doctor Who story The Invasion (1968). Photograph: BBC

He spent decades in independent international film production and development, and the results included Nouvelle-France (with Gérard Depardieu, 2004), Modigliani (starring Andy Garcia, 2004) and Joy Division (2006). He also co-wrote Into the Rainbow (2017) – a China-New Zealand co-production shot in 3D.

Robert was born in Wolverhampton to Ronald “Bill” Sidaway, the managing director of a large manufacturing firm, Ductile Steels, in Willenhall, and his wife, Beryl (nee Webb). He attended Tettenhall college, Wolverhampton, and then Trent college in Long Eaton, Nottingham.

Having had a taste of professional experience at the Grand theatre, Wolverhampton, in 1958 he trained at Lamda in London (1960-62). His first professional job was at the request of his friend Donald Sutherland, who needed someone to replace him at Chesterfield repertory theatre.

Stints on the regional stage then followed, including playing Algernon to Flora Robson’s Lady Bracknell (Newcastle, 1964). In the West End his credits included A Public Mischief (St Martin’s theatre, 1965), The Magistrate (with Alastair Sim, Cambridge theatre, 1969) and Abelard and Heloise (with Diana Rigg and Keith Michell, Wyndham’s theatre, 1970).

His television credits included No Hiding Place (1963), Sergeant Cork, (1964), Out of the Unknown (1965) and The Avengers (1968). The second of his two roles in Doctor Who – as the cheery, affable and dashing Captain Turner in the Patrick Troughton adventure The Invasion (1968) – involved him going up in a helicopter, being an original member of Unit (the army outfit that would become a mainstay of the series), and announcing one of the series’ most enduring sequences – the Cybermen bursting from the sewers and marching in front of St Paul’s Cathedral.

When he appeared in a few episodes of the Midland soap opera Crossroads in 1973 (as a love interest for Susan Hanson’s Diane Parker) he found himself being asked to join the writing team – alas his humorous style did not find favour with the star Noele Gordon and he was fired after six months.

From the early 70s he had worked in public relations and marketing for London theatre managements and then became a producer for shows including No Sex Please, We’re British (Strand theatre, 1971), Joseph and the Amazing Technicolor Dreamcoat (on tour, 1975) and a West End run of Anastasia (1976).

Moving to television, a silent comedy pilot he wrote and produced – The Optimist (1983-85), partly filmed in LA and starring Enn Reitel as a cross between Mr Bean and Walter Mitty – became one of Channel 4’s first commissions and ran for two series.

Dogged to the last, he had two co-productions in Canada on the go and had been working in Sri Lanka in order to gain funding for a passion project set there – a love story called Rachel’s Song – when he was taken ill in Thailand, where he died.

His marriage to Margaret Don in 1964 (after they met in repertory at Pitlochry) ended in divorce. Ashley, their son, survives him, as does Kate, the daughter from his 1977 marriage to Sandra Miller, which also ended in divorce.

 Robert Sidaway, actor, writer and producer, born 24 January 1942; died 16 August 2024

SIDAWAY, Robert

Born: 1/24/1942, Wolverhampton, West Midlands, England. U.K.

Died: 8/16/2024, Bangkok, Thailand

 

Robert Sidaway’s western – producer:

Blood Justice - 2024

Monday, September 9, 2024

TIP James Earl Jones


 James Earl Jones, Distinguished Actor and Voice of Darth Vader, Dies at 93

Variety

By Adam B. Vary, Carmel Dagan

September 9, 2024

 

James Earl Jones, the prolific film, TV and theater actor whose resonant, unmistakable baritone was most widely known as the voice of “Star Wars” villain Darth Vader, died Monday morning at his home in Dutchess County, N.Y., his rep confirmed to Variety. He was 93.

After overcoming a profound stutter as a child, Jones established himself as one of the pioneering Black actors of his generation, amassing a bountiful and versatile career spanning over 60 years, from his debut on Broadway in 1958 at the Cort Theatre — renamed the James Earl Jones Theatre in 2022 — to his most recent performance in 2021’s “Coming 2 America.” For that film, Jones reprised his role as King Jaffe Joffer from the 1988 Eddie Murphy comedy “Coming to America” — one of several roles, along with Darth Vader, that Jones revisited, including the voice of King Mufasa in Disney’s animated feature “The Lion King” in 1994, the 1998 direct-to-video sequel and the 2019 remake, and CIA deputy director Vice Admiral James Greer in three Jack Ryan movies, 1990’s “The Hunt for Red October,” 1992’s “Patriot Games” and 1994’s “Clear and Present Danger.”

Among his more than 80 film credits, Jones’ other notable movies include as a B-52 bombardier in Stanley Kubrick’s 1964 Cold War satire “Dr. Strangelove” (his feature film debut), as the first Black president of the United States in 1972’s “The Man,” as the fearsome villain in 1982’s “Conan the Barbarian,” as a reclusive author in 1989’s “Field of Dreams,” as a blind former baseball star in 1993’s “The Sandlot,” and as a minister living in apartheid South Africa in 1995’s “Cry, the Beloved Country.”

Jones was nominated for four Tony Awards, and won two, in 1969 for playing boxer Jack Johnson in “The Great White Hope” (which he reprised on film in 1970, receiving his only Oscar nomination), and in 1987 for originating the role of Troy Maxson in August Wilson’s Pulitzer Prize-winning drama “Fences.” He was nominated for eight primetime Emmy awards, winning twice in 1991, for supporting actor in the miniseries “Heat Wave,” about the 1965 Watts riots, and for lead actor in the drama series “Gabriel’s Fire,” about a wrongfully imprisoned ex-cop who becomes a private detective. It was the first time an actor won two Emmys in the same year.

Jones earned a Kennedy Center Honor in 2002, the Screen Actors Guild Life Achievement award in 2009, an honorary Oscar in 2011 and a lifetime achievement Tony Award in 2017. His Grammy award in 1977 for spoken word album makes Jones only one a handful of actors to receive an EGOT.

Jones’ looming yet ultimately affable presence and rich speaking voice made him a natural for Shakespeare, and he played some of the great roles, such as Macbeth and Othello, for Joseph Papp’s American Shakespeare Festival. Jones narrated several documentaries, from 1972’s “Malcom X” to the 2007 Disneynature doc “Earth,” and, famously, he intoned the tagline “This is CNN” for the cable news channel.

His television credits, which number over 70, including many movies and miniseries such as “Roots” and “The Atlanta Child Murders,” recurring roles on “L.A. Law,” “Homicide: Life on the Street” and “Everwood,” and guest roles on shows like “The Simpsons,” “Picket Fences,” “Law & Order,” “Frasier” and “House.”

As for his most famous role, Jones was paid $7,000 to lend his voice to Darth Vader in 1977’s “Star Wars: A New Hope,” but he declined screen credit for that film and its sequel, 1980’s “The Empire Strikes Back,” out of deference to the actor who played the role on screen, David Prowse. By 1983’s “Return of the Jedi,” however, Jones had become fully synonymous with one of the most memorable and terrifying villains in cinema history, and received credit for his work. He returned to Vader’s voice again for 2005’s “Episode III — Revenge of the Sith” and 2016’s “Rogue One: A Star Wars Story,” but for the 2022 Disney+ series “Obi-Wan Kenobi,” Jones instead authorized Lucasfilm to use archival recordings and AI technology to recreate Vader’s voice.

When asked in 2014 by the New York Times about how he’d kept his career alive for so long, Jones’ response evoked the kind of plainspoken humility that he had so often brought to his performances as well.

“The secret is never forgetting that you’re a journeyman actor and that nothing is your final thing, nothing is your greatest thing, nothing is your worst thing,” Jones said. “I still consider myself a novice.”

James Earl Jones was born in 1931 on a farm in in Arkabutla, Miss. His father, Robert Earl Jones, left home soon after to pursue his own acting career (the two more-or-less reconciled when the younger Jones was in his 20s, and they even performed together). When Jones was 5, he moved with his maternal grandparents to Michigan. The shock of the relocation induced a stammer so severe that he often could communicate only in writing. It wasn’t until high school when he started to overcome his stutter, when his English teacher, upon learning that Jones composed poetry, encouraged him to read his writing aloud in class.

As an undergraduate student at the University of Michigan, Jones initially set out to study medicine, but wound up more interested in drama. His first stage role was a small part in the 1957 Off Broadway production “Wedding in Japan.” He took side jobs to supplement occasional theater work in Broadway’s “Sunrise at Campobello,” “The Cool World” and “The Pretender.” He also appeared in summer stock.

In 1960, Jones joined Papp’s New York Shakespeare Festival. The following year he made his first serious impact in a landmark Off Broadway production of Jean Genet’s “The Blacks” as the protagonist Deodatus. Afterwards, for Papp, he played Oberon in “A Midsummer Night’s Dream,” the first of many heralded Shakespearean turns. His masterful 1964 performance as Othello for Papp was moved Off Broadway, where the production ran for almost a year.

Jones’ first big break into cinema came by way of Papp’s production of “The Merchant of Venice,” in which Jones played the Prince of Morocco to George C. Scott’s Shylock. When Stanley Kubrick came to see Scott, whom he was considering for one of the leads in “Dr. Strangelove,” the film director was so impressed that he cast Jones in the film, too. In 1966, Jones had the title role in “Macbeth” at the New York Shakespeare Festival, again to great acclaim. He also booked a recurring role on “As the World Turns” in 1966, marking the first time a Black actor had a continuing role on a daytime soap opera

Still, he was almost one of Broadway’s best-kept secrets until 1968 with his performance in Howard Sackler’s “The Great White Hope” as Jack Johnson, the first Black man to win the world heavyweight boxing championship. The Tony, the acclaim and its timing in the late ’60s propelled Jones into the spotlight at a time when it was difficult for Black actors to secure quality roles. The actor, however, has said that the accolades he received for for both the play and its film adaptation did not do that much for his career.

It wasn’t until 1977, when Jones’ voice terrified audiences for the first time as Darth Vader, that things truly began to shift for him. That same year, Jones also appeared in ABC’s “Roots” playing the author Alex Haley, whose genealogical novel of the same title inspired the groundbreaking miniseries. He never quite became an outright star in the classic sense of the word, but the back-to-back successes that year did ultimately make Jones a household name, whose presence connoted a stature and gravitas to projects that might otherwise be lacking.

Theatre is where Jones most frequently was a box office draw in his own right — and well into his 80s. He returned to Broadway in 2005 for a production of “On Golden Pond” opposite Leslie Uggams, drawing another Tony nomination. In 2008, he played Big Daddy in a production of Tennessee Williams’ “Cat on a Hot Tin Roof” that featured an all-Black cast including Terrence Howard, Anika Noni Rose and Phylicia Rashad.

Two years later, he returned to Broadway in a revival of “Driving Miss Daisy” opposite Vanessa Redgrave; the production’s move to London in 2011 meant he had to miss the Honorary Oscars ceremony in Los Angeles. Instead, Sir Ben Kingsley surprised Jones with his statuette in person after he’d concluded a matinee performance of the show.

Jones was first married to actress-singer Julienne Marie. His second wife of 34 years, actress Cecilia Hart, died in 2016. He is survived his son, Flynn Earl Jones.

JONES, James Earl

Born: 1/17/1931, Arkabutla, Mississippi, U.S.A.

Died: 9/9/2024, Pawling, New York, U.S.A.

 

James Earl Jones’ westerns – actor:

Grim Prairie Tales – 1990 (Morrison)

Convicts – 1991 (Ben Johnson)

Saturday, September 7, 2024

RIP Will Jennings


 Will Jennings, Oscar-Winning ‘My Heart Will Go On’ Co-Writer, Dies at 80

The Songwriters Hall of Fame member was also behind hits like "Up Where We Belong" and "Tears in Heaven."

Billboard

By Mitchell Peters

9/7/2024

 

Will Jennings, the Oscar- and Grammy-winning co-writer of Titanic‘s “My Heart Will Go On” and other hit songs by Eric Clapton, Steve Winwood and Whitney Houston, has died. He was 80.

The superstar lyricist passed away Friday (Sept. 6) at his home in Tyler, Texas, his caregiver Martha Sherrod confirmed to The Hollywood Reporter. A cause of death was not provided, but Jennings had been experiencing health issues in recent years.

“A sad time, the passing of Will Jennings, a maestro, brilliant mind and a gentle spirit. It was an enormous honor to have worked with such a musical genius,” former J. Geils Band singer Peter Wolf, who collaborated with Jennings, wrote on X (formerly Twitter) Saturday.

During his career, the Songwriters Hall inductee co-wrote six songs that reached No. 1 on the Billboard Hot 100 chart: Barry Manilow’s “Looks Like We Made It” (1977); Joe Cocker and Jennifer Warnes’ “Up Where We Belong” (1982); Winwood’s “Higher Love” (1986); Houston’s “Didn’t We Almost Have It All” (1987); Winwood’s “Roll With It” (1988); and Celine Dion’s “My Heart Will Go On” (1998).

Jennings also collaborated with Clapton on “Tears in Heaven,” which hit No. 2 on the Hot 100 and topped Billboard‘s Adult Contemporary chart for three weeks in 1992. The tribute to Clapton’s late son also earned the pair a song of the year trophy at the 35th annual Grammy Awards.

Jennings won best original song at the Academy Awards in 1983 for co-writing An Officer and a Gentleman‘s “Up Where We Belong” alongside Jack Nitzsche and Buffy Sainte-Marie. He took home the same honor in 1998 for the Titanic classic “My Heart Will Go On,” which he co-wrote with composer James Horner (who died in 2015). The Dion-sung ballad also won Grammys for record and song of the year.

Jennings was born in Kilgore, Texas, in 1944. Before hitting it big in songwriting, he was a professor at Tyler Junior College and later Austin State University, before teaching at the University of Wisconsin-Eau Claire. His résumé also includes musical collaborations with superstars like B.B. King, Mariah Carey, Jimmy Buffett and Roy Orbison.

Jennings is survived by his wife, Carole, and his sisters, Joyce and Gloria.

JENNINGS, Will (Wilbur H. Jennings)

Born: 6/27/1944, Kilgore, Texas, U.S.A.

Died: 9/6/2024, Tyler, Texas, U.S.A.

 

Will Jennings’ western – song lyrics:

An American Tail: Fievel Goes West - 1991

 

Friday, September 6, 2024

RIP Frank Griffin


 Frank Griffin, Steve Martin’s Makeup Man on ‘Roxanne’ and Much More, Dies at 95

The former actor and brother of actress Debra Paget also worked on films including ‘Westworld,’ ‘Close Encounters of the Third Kind’ and ‘Pee-wee’s Big Adventure.’

The Hollywood Reporter

By Mike Barnes

September 6, 2024

 

Frank Griffin, who nosed out another makeup artist to work with Steve Martin on Roxanne, just one of the 20 movies they did together, has died. He was 95.

Griffin died Wednesday of cancer at his home in Studio City, his daughter Roxane Griffin, a veteran Hollywood hairstylist (Avatar, Transparent, 80 for Brady), told The Hollywood Reporter.

Frank Griffin started out in Hollywood as an actor and studio laborer before turning to makeup in the mid-1960s, and he went on to work on Beneath the Planet of the Apes (1970), Scarecrow (1973), Westworld (1973), Cinderella Liberty (1973), Close Encounters of the Third Kind (1977), Urban Cowboy (1980), Midnight Run (1988), Fast Times at Ridgemont High (1982), Vacation (1983), Revenge of the Nerds (1984) and Pee-wee’s Big Adventure (1985).

Survivors also include his sister Debra Paget, who starred in such films as Broken Arrow (1950), Love Me Tender (1956) — Elvis Presley’s first movie — and The Ten Commandments (1956).

His other two sisters were actresses as well: Lisa Gaye, who starred in the 1956 musical films Rock Around the Clock and Shake Rattle & Rock!, and Teala Loring, who did lots of B-movies. They died in 2016 and 2007, respectively.

Ric Sagliani, Martin’s regular makeup artist, had employed Griffin to work with him on Martin’s Pennies From Heaven (1981) and Three Amigos! (1986). But with the actor set to wear a large prosthetic nose for more than three months in Roxanne (1987), a modern retelling of Cyrano de Bergerac, Sagliani decided to pass on that gig, leaving it to Griffin.

“Ric was a lovely guy, but he didn’t want to tackle that nose,” Griffin told Steve Rubin on a 2022 episode of his Saturday Night at the Movies podcast. “I said [to Martin], ‘Fine, I’ll have you for this picture, and Ric can have you back for the next one.’”

That next one was Planes, Trains & Automobiles (1987), which Sagliani turned down as well, not wanting to go on location, Griffin noted. “So I guess if you say no to Steve twice, that is it,” he said. “I just stuck with him from then on. He was such a delight.”

Griffin then worked with Martin on Parenthood (1989), My Blue Heaven (1990), Father of the Bride (1991), L.A. Story (1991), Grand Canyon (1991), HouseSitter (1992), Leap of Faith (1992), A Simple Twist of Fate (1994), Father of the Bride Part II (1995), Sgt. Bilko (1996), The Spanish Prisoner (1997), Bowfinger (1999), Novocaine (2001), Cheaper by the Dozen (2003), Bringing Down the House (2003) and Shopgirl (2005), his final credit.

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The second of four kids, Frank Henry Griffin Jr. was born in Denver on June 25, 1929. His mother, Margaret, was a vaudeville performer who gave her children stage names that she thought were “the perfect length for a movie marquee.” His father, Frank Sr., was a house painter and later a laborer at Columbia Pictures.

The family ultimately settled in Los Angeles in 1942 after Paramount signed Teala, who was seven years his senior, to a contract, and for a time they lived across the street from the lot. Later, Debra landed a deal at 20th Century Fox.

Griffin and Debra attended the Hollywood Professional School and studied acting with Queenie Smith. While she became a star right away, he got a job as a laborer at Columbia, just like his dad, before he made his acting debut in Lightning Guns (1950).

Billed as Reull Shayne, he had bit parts in such films as Fort Savage Raiders (1951), Teen-Age Crime Wave (1955) and The Giant Claw (1957), and on TV shows including Death Valley Days, Sergeant Preston of the Yukon and U.S. Marshal.

“I was never happy [acting], I had always felt I was poorly trained,” he told Rubin. “Had I really wanted to do it, I would’ve had to have had the balls to go back to New York and study there.”

Griffin returned to studio labor before he got makeup jobs at CBS and then Fox, working on The Tammy Grimes Show and The Green Hornet. His first film as a makeup artist was Sam Whiskey (1969), starring Burt Reynolds and Angie Dickinson.

He also handled makeup for A Man Called Horse (1970), The Hired Hand (1971), Black Gunn (1972), Demon Seed (1977) and She’s So Lovely (1997), and on the first two seasons (1977-79) of CBS’ Lou Grant, starring Ed Asner.

He said Asner — whom he lovingly called “Uncle Waldo” — and Martin were his favorite actors to work with.

In addition to Roxane — so named because Cyrano was a favorite love story of his — survivors include his other children, Beau (a grip in Hollywood), Garrett, Frank and Gayle; his grandchildren, Brandon, Jesse, Cassandra, Griffin, Kelsey and Lindsay; and former Hollywood hairstylist Linda Trainoff, with whom he lived for the past 43 years.

GRIFFIN, Frank (Frank Henry Griffin Jr.)

Born:6/25/1929, Denver, Colorado, U.S.A.

Died: 9/4/2024, Studio City, California, U.S.A.

 

Ford Friffin’s westerns – makeup artist, actor:

Fort Savage Raiders – 1950 (Rog Beck)

Lightning Guns – 1950 (Jim Otis)

Devil’s Canyon – 1953 (guard)

Death Valley Days (TV) – 1955 (Steve)

Love Me Tender – 1956

Sergeant Preston of the Yukon (TV) – 1957 (Constable Dignum)

Bullwhip – 1958 (Keeler)

U.S. Marshal (TV) – 1959 (deputy)

Zane Grey Theater (TV) – 1960 (Stantup)

Sam Whiskey – 1969 [makeup artist]

The Andersonville Trial (TV) 1970 [makeup artist]

A Man Called Horse – 1970 [makeup artist]

The Hired Hand – 1971 [makeup artist]

Cry for Me Billy – 1972 [makeup artist]

The Great Northfield Minnesota Raid – 1972 [makeup artist]

Westworld – 1973 [makeup artist]

Barbary Coast (TV) – 1975 [makeup artist]

Three Amigos! – 1986 [makeup artist]

Thursday, September 5, 2024

RIP Manuel Antin

 

Manuel Antín, master of Argentine cinema, dies

He was 98 years old. He directed a celebrated trilogy of films based on works by Julio Cortázar. His legacy includes the founding of the Universidad del Cine and the eradication of censorship when he took over as head of INCAA in December 1983.

infobae

Saptember 5, 2024

 

Manuel Antín, a key figure in Argentine cinema, has died at the age of 98. Born on February 27, 1926 in Las Palmas, Chaco, Argentina, Antín made a difference in the country's film industry both for his filmography and for his role in various institutions related to cinema. He was a filmmaker, screenwriter, producer, playwright, poet, former director of INCAA, founder of the Universidad del Cine and teacher. He is an indispensable figure in the history of Argentine cinema.

In his career, Antín directed and produced multiple feature films, including Don Segundo Sombra (1969) and a trilogy of film adaptations of Julio Cortázar's work: La cifra impar (1962), based on the story "Cartas de mamá"; Circe (1964), based on the work of the same name; and the feature film Intimacy of the Parks (1965), which takes up "Continuity of the Parks" and "The Idol of the Cyclades".

Both worked together through an intense correspondence of letters and audios sent by mail: while the director prepared the production and filmed in Argentina, the writer, already settled in France, sent his contributions to the construction process.

His vision and talent allowed him not only to shine as a filmmaker but also to leave an indelible mark on the Universidad del Cine (FUC), which he founded in 1991. This institution trained new generations and consolidated its position as a vital space for learning and film production.

Appointed as Director of the National Film Institute (INC) in 1983, Antín managed a crucial transformation for the industry: the elimination of the Cinematographic Qualification Entity, the entity responsible for censorship during the military dictatorship in Argentina. This measure, promoted by the first decree of President Raúl Alfonsín, allowed filmmakers to exercise their work with greater freedom of expression and create works without arbitrary political restrictions.

Antín's influence in the INC was not limited to the eradication of censorship. He also promoted the reopening of film schools and the creation of the Image and Sound Career at the University of Buenos Aires (UBA), in collaboration with the Faculty of Architecture and Urbanism (FADU). In addition, his work as a teacher and promoter of new voices in cinema was fundamental for the growth and diversification of national cinema.

Manuel Antín not only stood out on the big screen; he also ventured into other cultural fields as a novelist, poet and playwright. His literary work, like his films, covered various themes and styles, consolidating him as a multifaceted figure in Argentine culture.

Throughout his life, Antín was acclaimed for his ability to manage cultural institutions and promote young talent. His commitment to the education and training of filmmakers was a distinctive feature of his career, the legacy of which is kept alive at the Universidad del Cine and in the various generations of filmmakers who were trained under his tutelage.

Manuel Carlos Antín will always be remembered for his contribution to the culture and cinema of Argentina. His departure marks the end of an era, but his legacy will live on over time. Antín remains a member of the Academy of Motion Picture Arts and Sciences of Argentina, a recognition that underscores his significant contribution to the seventh art.

ANTIN, Manuel (Manuel Carlos Antin)

Born: 2/27/1926, Las Palmas, Chaco, Argentina

Died: 9/5/2024, Buenos Aires, Buenos Aires, Argentina

 

Manuel Atin’s western- producer, director, writer:

Don Segundo Sombra - 1969

Tuesday, September 3, 2024

RIP Ivan “Red Cloud” Wolverton

 

In Memory: Ivan "Red Cloud" Wolverton

American Morgan Horse Association

August 16, 2024

 

Ivan Wayne Wolverton, known as Red Cloud in the cowboy country, ascended the steps to Cowboy Heaven on Sunday, July 14, 2024. Born in Kansas City, Kansas – September 22, 1929; he was 94 at time of passing. Red Cloud was a real cowboy, one of the last of a breed. More than that, he was, is, "one of a kind," "one in a million," "a legend". Those words were expressed as friends learned of his passing. Red Wolverton had a huge personality whose presence touched a lot of people.

In the first act of his life, he drove horses as a boy in the Kansas fields, then learned to ride in Colorado where he lived with his 8 brothers and sisters. He left school young and went to Oregon, where he was hired on in the Big Ranch country, of the ZX and MC ranches. He rode the broncs others couldn't ride, lived and loved the cowboy life. Back in Colorado, he met the love of his life, Margery, and together they raised four children. He embarked on the second act of his life when he achieved the dream of getting a stagecoach, raising and training a 6-horse hitch, and driving along the Overland Trail for America's Bicentennial. That lead into working in western movies in Colorado and Arizona, including "The White Buffalo" and "Comes A Horseman."

The name Red Wolverton became synonymous with Stagecoach Driver, on such films as "Stagecoach," "Posse," "Tombstone." That 6-up of Morgan horses with Red on the box galloping at the camera was a moment imprinted in many people's minds. Red and his family provided livestock for western movies out of Tucson for more than 30 years, including the "Desperados," "Dead Man," "Beastmaster," "The Alamo," and "Comanche Moon." Many people in Tucson remembered Red and the Wolvertons as the first family in westerns. He also drove a ten-up of horses pulling freight wagons along the Highway 50 Wagon Train near Placerville, California, in the 1980's and 1990's, and in the Kanab Western Legends Roundup in Utah.

The final act of his life was spent living with his daughter, Holly, near Fredonia, Utah. His life and legacy lives on through his son Kip, daughters Holly, Tammie, and Wendy; his eight grandchildren, and 17 great-grandchildren. His wife of almost 70 years, Margery Wolverton survives him. He will not be forgotten. He has big boots to fill. He is remembered as a great storyteller, an author, a singer, and a larger than life hero. He is an icon. Adios Red. Vaya Con Dios.

A funeral service was held on Saturday, July 20, 2024, in the Fredonia Ward Chapel in Fredonia, Arizona, with burial in the Fredonia Cemetery under the direction of Mosdell Mortuary.

WOLVERTON, Ivan (Ivan Wayne Wolverton)

Born: 9/22/1929, Kansas City, Kansas, U.S.A.

Died: 7/14/2024, Fredonia, Arizona, U.S.A

 

Ivan “Red Cloud” Wolverton’s westerns – wrangler, stuntman, actor:

The Man Hunt – 1984 [Red Wolverton]

Stagecoach – 1986 [head wrangler]

Desperado (TV) – 1987 (stage driver)

Desperado: Avalanche at Devil’s Ridge (TV) – 1988 [livestock]

Longarm (TV) – 1988 [livestock]

The Return of Desperado (TV) – 1988 [stunts]

Desperado: Badlands Justice – 1989 [stunts]

Desperado: The Outlaw Years (TV) – 1989 [stunts, livestock]

Brotherhood of the Gun (TV) - 1991

Posse – 1993 [stunts, livestock coordinator] [Red Cloud Wolverton]

Shadowhunter – 1993 [stunts] [wrangler]

Tombstone – 1993 [wrangler]

The Last Bounty Hunter – 1994 [wrangler]

The Man Behind the Gun – 1994 (Singer) [stunts, writer]

Dead Man – 1995 [wrangler]

Los Locos – 1997 [stunts]

Comanche Moon - 2008

RIP Gustavo del Castillo

 

What did Gustavo del Castillo Negrete, beloved Mexican actor who began his career with Chespirito, die of?

The actor died at the age of 76 and poured countless television memories of Mexican history

Infobae

By Luis H. Mora

September 3, 2024

 

Renowned Mexican actor Gustavo del Castillo Negrete passed away on Sunday, September 1, 2024, leaving a great void in the entertainment industry in Mexico. The actor, known for his work in television, film and theater, died at the age of 76.

The National Association of Actors (ANDA) and the National Association of Performers (ANDI) deeply regretted the loss of Gustavo del Castillo Negrete. Both institutions issued statements in which they expressed their condolences to the family and friends of the performer, as well as their recognition of his artistic career.

ANDI communicated: "The National Association of Interpreters communicates the sensitive death of our interpreter partner Gustavo del Castillo Negrete. To his family and friends we send our most heartfelt condolences on behalf of the Board of Directors and Vigilance Committee of ANDI." In their message, they emphasized Del Castillo Negrete's great contribution to culture and entertainment in Mexico.

For its part, the ANDA also expressed its condolences, highlighting the dedication and passion that Gustavo showed throughout his career: "Gustavo was a performer committed to his art, always leaving a mark in each of the projects in which he participated," they mentioned in their statement.

So far, the specific cause of death of Gustavo del Castillo Negrete has not been confirmed. The family and the associations involved have not provided further details about the reason for his death, keeping this information confidential. However, the news has poured countless memories of the history of television in Mexico, regarding his career.

Gustavo del Castillo Negrete is remembered for his outstanding work on Mexican television, where he left an indelible mark thanks to his participation in programs such as Chespirito and Mujer, casos de la vida real, hosted by Silvia Pinal. His versatility as an actor allowed him to give life to endearing characters, with which he won the affection of the public and established himself as one of the most beloved actors of his generation.

On television he is remembered for his contribution in great productions such as the soap opera Amor Real, where he perhaps played his most remembered role. However, she was also part of productions such as Cuna de lobos, Alcanzar una estrella, Rosa Salvaje, Alondra, Luz Clarita, El privilegio de amar, Cómplices al rescate, El manantial or La fuerza del Destino.

In the cinema, his talent was reflected in memorable films such as Capulina contra los monstruos (1974), Superzán el invencible (1971), Dulce desafío (1988) or Alcanzar una estrella (1990). His ability to adapt to different roles and genres, from comedy to drama, made him a versatile and respected performer in the entertainment industry in Mexico.

The departure of Gustavo del Castillo Negrete leaves a great void in the Mexican artistic environment. His legacy, made up of decades of dedicated work and iconic characters, will live on in the memory of those who had the opportunity to enjoy his talent in television, film and theater.

del CASTILLO, Gustavo (Víctor Gustavo del Castillo-Negrete Solís)

Born: 1948, Mexico

Died: 8/31/2024, Mexico City, Federal District, Mexico

 

Gustavo del Castillo’s westerns – actor:

Los hijos de Satanas – 1972 (Esbirro de Yara)

Manuel Saldivar, el texano – 1972

Los hombres no lloran – 1973 (Aurelio’s friend)

Traiganlos vivos o Muertos – 1974

Vibra caliente – 1978 (Jacinto)

La carreta de la Muerte – 1996 (barman)

RIP Eric Gilliland

 

Eric Gilliland, Former Comedy Writer For ‘Roseanne’ & ‘My Boys,’ Has Died 

DEADLINE

By Lynette Rice

September 2, 2024

 

Eric Gilliland, a longtime comedy writer best known for his work on Roseanne, died Sept. 1. The cause was cancer.

Gilliland, an Illinois native and 1984 graduate of Northwestern University, wrote for the ABC comedy from 1992 to 1996. He went on to consult on The Conners in 2019.

His first big writing gig in TV was on Who’s the Boss? He went on to write for Living Dolls, The Wonder Years, Doogie Howser, M.D., That ’70s Show and My Boys. His most recent project was the podcast The Cinnamon Bear: A Holiday Adventure.

Gilliland received WGA Award nomination in 1994 for Roseanne. In 2019, he received a Daytime Emmy nomination for writing the children’s show The Was Was? Show.

Away from TV, Gilliland was quite the whistler. His tooting was featured on Sam Winch’s The Lullabadeer and on the soundtrack for an episode of Penn & Teller: Bullshit!.

Tributes to Gilliland continue to pour in on Facebook, like this one from Modern Family co-creator Steve Levitan, “Weird, I know, but I found myself thinking this morning that Eric Gilliland would have taken some perverse pleasure in knowing that, of all people, he was outlived by Dick Van Dyke. That’s one of the ways Eric and I bonded back in 8th grade, over our mutual love for The Dick Van Dyke Show. And Monty Python, Jack Benny, The Carol Burnett Show, SNL and bad puns. (Yes, people, we started a pun club). Eric was just plain smart and funny. In high school, we did plays and musicals and comedy assemblies, parts of which we even co-wrote. He somehow pulled off the impossible of being biting and sweet at the same time. While doing a comedy show called, Little Bucky for our local Glenview radio station with our friends Thalia Kalodimos and Betsy Brennan, I was so bad at doing accents that Eric nicknamed me, “The man with a thousand voices.”

Gilliland’s fellow Roseanne scribe Stan Zimmerman wrote this: “After a particularly brutal day of ‘abuse’ from Roseanne, the writing staff decided to take out our anger and smoosh food all over one of her framed publicity photos on the wall in our main office. Somehow, I ended up with the only Polaroid. And there’s Eric, smiling brightly, front and center. As others have more eloquently described Eric as an extremely bright, witty and dry writer/humorist/person, I know he looked at me and Jim’s open queerness in the writers’ room as both brave, scary and yet very appealing. Fly high, my friend. In all the colors of the rainbow. You were loved (and cherished) by so many.”

There was also this gem from Roseanne vet Matt Berry: “For the past two days I have been trying to decide which of the countless stories involving Eric Gilliland I would like to share with his other friends and family as we all deal with this brutal news. I have decided — and it was not easy to pick one — it will be The Story of Eric and the Potato Bar. The television show Roseanne was produced by Carsey-Werner, which was, as production companies go, an excellent company. The pay was high, the shows were popular, and the writing staffs were, by and large, of very high quality. They also had a pretty good chef who prepared a free lunch and dinner for the employees. They were like Google before Google.”

“On Roseanne we ALWAYS were there for dinner. In fact, we were sometimes there for the following day’s breakfast. So every night, as dinner time approached, Eric would send a PA down to the kitchen to scope out what would be for dinner. And after one of those recon missions to the kitchen the PA came into the writers room and told Eric that the dinner for that evening would be a potato bar. Now, we had very little to live for on the Roseanne show, and the news that one of the tiny blessings that we did have — a catered dinner — was going to be a potato bar was received with much weeping and gnashing of teeth. And Eric decided that the potato bar could go fuck itself.”

“Eric decided that rather than partaking of the catered dinner that night, we were going to order food — using the show’s credit card — from a restaurant. But not just a regular restaurant — one of the great, expensive, Show Biz Italian restaurants in the area. Menus were photocopied and distributed, and Eric urged us to order anything and everything that we wanted. And we did. We ordered Italian bread and seasoned olive oil to dip it in; we ordered calamari and shrimp and mussels marinara and artichokes and baked clams; we each ordered at least one entrée — veal piccata, chicken parmigiana, ravioli, lasagne, scampi, lamb chops, beef tenderloin. We ordered EVERYTHING. Dan Palladino and I ordered multiple bottles of chianti. We ordered desserts. I think somebody ordered a t-shirt.”

“An hour or so later the caravan of PAs that had gone to collect the food began to carry it into the writers room and place bag after bag of incredible-smelling food onto the giant table that we all sat around during our writing sessions. There were heaps of food. Mounds. There was food on top of food that slid off and landed on top of food. It was a feast that Caligula would have considered a little over the top. The room was joyous as we tore open one bag after another — we were alive again! People were yelling, laughing, shoving food into their mouths. I was running out of the room to find a corkscrew for Palladino and my wine when I passed Eric, who was quietly seated at the head of the table, preparing to enjoy his dinner. As I was passing him I said, ‘What did you get, Eric?’ He looked at me, smiled that great flat smile of his, and opened his to-go package. And there it was. Eric had gotten a baked potato.”

GILLILAND, Eric (Eric Rauymond Gilliland)

Born: 3/28/1962, Glenview, Illinois, U.S.A.

Died: 9/1/2024, New York City, New York, U.S.A.

 

Eric Gilliland’s western – writer:

The Who Was Show: Sacajawea - 2018

Monday, September 2, 2024

RIP James Darren


James Darren, Teen Idol Actor in ‘Gidget,’ Singer and Director, Dies at 88

Variety

By Pat Saperstein

September, 2, 2024

 

James Darren, who went from teen idol status acting in youth-oriented movies like “Gidget” to become an actor in TV shows such as “Star Trek: Deep Space Nine” and “T.J. Hooker” and a singer and director, died Monday at Cedars-Sinai Hospital in Los Angeles. He was 88.

His son Jim Moret said that he had been able to express his love for his family while being treated in the cardiac unit. “He was a good man. He was very talented,” Moret said. “He was forever young.”

Moret said he was grateful that his father had been able to embrace his signature role as Moondoggie in the “Gidget” movie and that he continued to interact with his fans.

Born in Philadelphia, he studied acting with Stella Adler in New York and was signed to Columbia Pictures, where his first role was in “Rumble on the Docks.” He went on to appear in films including “Operation Madball” and “Gunmen’s Walk” before being cast in the 1959 teen movie “Gidget,” starring Sandra Dee and Cliff Robertson. Darren also sang the title track for the hit movie, which was based on the experiences of a teenaged surfer girl in Malibu and later became a popular TV series.

The “Gidget” theme song launched a successful singer career for Darren, who had a gold record with “Goodbye Cruel World” in 1961. He continued to appear in feature films including “The Gene Krupa Story,” “All the Young Men” and “Because They’re Young.”

He is survived by his wife Evy, sons Jim Moret, Christian Darren and Tony Darren and five grandchildren.

DARREN, James (James William Ercolani)

Born: 6/8/1936, Philadelphia, Pennsylvania, U.S.A.

Died: 9/2/2024, Los Angeles, California, U.S.A.

 

James Darren’s westerns – director, actor:

Gunman’s Walk – 1958 (Davy Hackett)

Walker, Texas Ranger (TV) – 1993 [director]

Lucky – 2017 (Paulie)

RIP Brian Trueman

 The writer and actor who wrote much-loved cartoon Danger Mouse, Brian Trueman, has died

The show was written and produced in south Manchester from the 1980s

Manchester Evening News

By John Scheerhout

September 2, 2024

 

The writer of iconic Manchester produced cartoon Danger Mouse, Brian Trueman, has died, his son has announced. He was 92.

Brian was a broadcaster and actor but he is best known for writing Danger Mouse, a famously madcap cartoon which was produced by Chorlton-based Cosgrove Hall from the 1980s. He was an on-air announcer at Granada when he was became the show's main writer.

Danger Mouse was voiced by actor David Jason at a time when he was starting out in Only Fools and Horses. The show had later incarnations and voices, such as Alexander Armstrong.

In the original Danger Mouse, the 'world's greatest' secret agent was cool and fearless, while his hapless sidekick Penfold fretted by his side. Produced by Manchester-based Cosgrove Hall Films, founded by Brian Cosgrove and Mark Hall, the original show ran from 1981 to 1992.

"It was the best fun you could have had, but not only that, you got paid for it," Brian Trueman was quoted as saying. He grew up in Chorlton and Stretford.

His son Ben Trueman wrote on X: "Some sad news. My father (and @skeevyd‘s), Brian Trueman, has died. 92 years of happy life. A career in television and radio that included Children's Hour, Clitheroe Kid, Scene at 6.30, Granada Reports, Brass Tacks, Screen Test.

"He may be best known as the writer of and actor in Dangermouse, Duckula, Jamie and the Magic Torch, Cockleshell Bay, Chorlton and the Wheelies etc.

"He was clever, funny, resilient, an absolute gentleman, loving and loved. We will all miss him so much.

"I'd be grateful if anyone who happens to see this could share the news with anyone you think might be interested."

TRUEMAN, Brian

Born: 5/16/1932, Manchester, Greater Manchester, England, U.K.

Died: 9/2/2024, Barnsley, South Yorkshire, England, U.K

Brian Trueman’s western – writer:

Sheriff Callie’s Wild West (TV) - 2016