Longtime Sam Peckinpah Associate Chalo Gonzalez-Rubio Dies
at 95
Variety
By Edgar Pablos
March 27, 2020
Gonzalo “Chalo” Gonzalez-Rubio died March 20 at Verdugo Hospital
in Glendale of
complications from a bacterial infection. He was 95.
The close associate of Sam Peckinpah worked as a prop master
and graduated to film roles, including in 2006’s Sundance award-winning
“Quinceanera.”
Producer Katy Haber, a Peckinpah associate from 1970 to 1977
used a military term to say: “Wherever Sam was, so was Chalo. Chalo had Sam’s 6
as they say.”
David Weddle, author of “If They Move… Kill ‘Em! The Life
and Times of Sam Peckinpah,” writes: “Chalo Gonzalez played a pivotal role in
the making of an American masterpiece, ‘The Wild Bunch.’ He was involved in all
aspects of the production and was trusted implicitly by the film’s director,
Sam Peckinpah. It was Chalo who advocated that the movie should be shot in Parras, Mexico,
near the sites of several pivotal battles of the Mexican Revolution. This was
one of the decisive factors in giving the film a startling authenticity.”
Born in Fresno, he and his
three brothers were raised in Tepatitlán, Jalisco,
Mexico, by
their mother and uncles following their father’s death in a horseback-riding
accident when Chalo was 6 months old.
To make a living, his mother gave cooking classes, feeding
many of Tepatitlán’s dignitaries. Through her associations, Chalo was able to
attend the most prestigious schools in Mexico, earning an engineering
degree.
More interested in soccer than engineering, Chalo became one
of the youngest players at that time to play professional soccer for Club America.
Although playing for the farm team, he was called up to play several first
division games early in his career.
At 20, Chalo persuaded his mother that since he was a U.S.
citizen, it was his duty to move back to the States and enlist to help fight
World War II. When she gave her blessing. With just a few pesos in his pocket,
Chalo moved to Los Angeles,
turned up to enlist, but failed his physical. The diagnosis, an “athletic
heart,” meant his heart rate was too low for combat duty.
On his own in Los Angeles,
Chalo found work, odd jobs at first, then became a truck driver and opened his
own business exporting lumber to Mexico.
On one of these Tijuana
runs he had a chance encounter in a cantina with the maverick film director
Peckinpah. There began the enduring relationship that changed his life forever,
launching Chalo’s career in the film industry.
Garner Simmons, screenwriter and author of “Peckinpah: A
Portrait in Montage,” says: “Chalo was a man who deflected the craziness of Sam
Peckinpah and the insanity of film production with his easy smile and grace
under pressure. And without question he was the best dancer I ever watched as
he would glide effortlessly across the floor. An irreplaceable part of our
lives who lives on in all our memories.”
He was, as his “Bring Me the Head of Alfredo Garcia”
co-star, Isela Vega once described, “a man of a thousand uses.”
Chalo worked in a wide range of positions on Peckinpah’s
“The Wild Bunch” (1969),“Junior Bonner” (1971), “The Getaway” (1972), “Pat
Garrett and Billy the Kid” (1973) and “Alfredo Garcia” (1974), in which the
director also offered an acting role.
Paul Seydor, film editor and author of “Peckinpah: The
Western Films— A Reconsideration,” says: “He always seemed to me to be in the
best and highest sense of the word a true gentleman: friendly, gracious,
modest, in all ways an authentically gentle man.”
In the ’70s, Chalo became a prop master, joined the Local
44, and worked on countless TV shows at Universal Studios, Warner Bros. and MGM
including series “Six Million Dollar Man,” “Quincy,” “Taxi,” “Mork and Mindy” and “Family
Ties.”
Retiring as a prop master in the early ’90s, Chalo turned to
acting and earned several accolades, including a GLAAD Award for supporting
actor, for his performance in the Wash Westmoreland/Richard Glatzer indie film
“Quinceanera.”
When the film won the 2006 Sundance Film Festival audience award
and jury prize, Chalo offered his advice to the crowd: “Never give up on your
dreams. I was 6 years old when I first dreamt of being an actor, and look at
me. I’m 83 years old and standing here with you today.”
Westmoreland writes: “It was an honor and a joy to work with
Chalo. He blessed the production with his gravitas, talent, and kindness. We
all felt it. And he gave such an incredible performance. It was a magical
time.”
Weddle concludes, “Chalo Gonzalez was a giant, in so many
ways, and we will never see his like again.”
Chalo is survived by his wife of 47 years, Martha Calderon
Gonzalez; his children from a previous marriage, Margaret Mazzola and Rafael
Gonzalez; stepchildren, Gilbert David Segovia and Richard Lorenzo Segovia;
daughter-in-law Theresa Gonzalez; son-in-law Leonard; seven grandchildren,
Robert, Vanessa, Antonia, Andy, Minnie Jo, Maximilian, Mariah; and three
great-grandchildren, Samantha, Chris, Sophia.
For COVID-19 reasons, there will be no funeral services. A
private memorial will be held in the future in Mexico. In lieu of flowers, please
consider making a donation to the Motion Picture Television Fund COVID-19
Emergency Relief Fund.
GONZALEZ, Chalo (Gonzalo
Gonzalez-Rubio)
Born: 1/9/1925, Fresno, California,
U.S.A.
Died: 3/20/2020, Glendale, California,
U.S.A.
Chalo Gonzalez’s
westerns – location assistant, actor:
The Wild Bunch – 1969 (Gonzalez)
Bring Me the Head of Alfredo Garcia – 1974 (Chalo)
Junior Bonner – 1972 [location assistant]
Justified (TV) – 2010 (Don Jaime)
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