Saturday, September 7, 2024

RIP Will Jennings


 Will Jennings, Oscar-Winning ‘My Heart Will Go On’ Co-Writer, Dies at 80

The Songwriters Hall of Fame member was also behind hits like "Up Where We Belong" and "Tears in Heaven."

Billboard

By Mitchell Peters

9/7/2024

 

Will Jennings, the Oscar- and Grammy-winning co-writer of Titanic‘s “My Heart Will Go On” and other hit songs by Eric Clapton, Steve Winwood and Whitney Houston, has died. He was 80.

The superstar lyricist passed away Friday (Sept. 6) at his home in Tyler, Texas, his caregiver Martha Sherrod confirmed to The Hollywood Reporter. A cause of death was not provided, but Jennings had been experiencing health issues in recent years.

“A sad time, the passing of Will Jennings, a maestro, brilliant mind and a gentle spirit. It was an enormous honor to have worked with such a musical genius,” former J. Geils Band singer Peter Wolf, who collaborated with Jennings, wrote on X (formerly Twitter) Saturday.

During his career, the Songwriters Hall inductee co-wrote six songs that reached No. 1 on the Billboard Hot 100 chart: Barry Manilow’s “Looks Like We Made It” (1977); Joe Cocker and Jennifer Warnes’ “Up Where We Belong” (1982); Winwood’s “Higher Love” (1986); Houston’s “Didn’t We Almost Have It All” (1987); Winwood’s “Roll With It” (1988); and Celine Dion’s “My Heart Will Go On” (1998).

Jennings also collaborated with Clapton on “Tears in Heaven,” which hit No. 2 on the Hot 100 and topped Billboard‘s Adult Contemporary chart for three weeks in 1992. The tribute to Clapton’s late son also earned the pair a song of the year trophy at the 35th annual Grammy Awards.

Jennings won best original song at the Academy Awards in 1983 for co-writing An Officer and a Gentleman‘s “Up Where We Belong” alongside Jack Nitzsche and Buffy Sainte-Marie. He took home the same honor in 1998 for the Titanic classic “My Heart Will Go On,” which he co-wrote with composer James Horner (who died in 2015). The Dion-sung ballad also won Grammys for record and song of the year.

Jennings was born in Kilgore, Texas, in 1944. Before hitting it big in songwriting, he was a professor at Tyler Junior College and later Austin State University, before teaching at the University of Wisconsin-Eau Claire. His résumé also includes musical collaborations with superstars like B.B. King, Mariah Carey, Jimmy Buffett and Roy Orbison.

Jennings is survived by his wife, Carole, and his sisters, Joyce and Gloria.

JENNINGS, Will (Wilbur H. Jennings)

Born: 6/27/1944, Kilgore, Texas, U.S.A.

Died: 9/6/2024, Tyler, Texas, U.S.A.

 

Will Jennings’ western – song lyrics:

An American Tail: Fievel Goes West - 1991

 

Friday, September 6, 2024

RIP Frank Griffin


 Frank Griffin, Steve Martin’s Makeup Man on ‘Roxanne’ and Much More, Dies at 95

The former actor and brother of actress Debra Paget also worked on films including ‘Westworld,’ ‘Close Encounters of the Third Kind’ and ‘Pee-wee’s Big Adventure.’

The Hollywood Reporter

By Mike Barnes

September 6, 2024

 

Frank Griffin, who nosed out another makeup artist to work with Steve Martin on Roxanne, just one of the 20 movies they did together, has died. He was 95.

Griffin died Wednesday of cancer at his home in Studio City, his daughter Roxane Griffin, a veteran Hollywood hairstylist (Avatar, Transparent, 80 for Brady), told The Hollywood Reporter.

Frank Griffin started out in Hollywood as an actor and studio laborer before turning to makeup in the mid-1960s, and he went on to work on Beneath the Planet of the Apes (1970), Scarecrow (1973), Westworld (1973), Cinderella Liberty (1973), Close Encounters of the Third Kind (1977), Urban Cowboy (1980), Midnight Run (1988), Fast Times at Ridgemont High (1982), Vacation (1983), Revenge of the Nerds (1984) and Pee-wee’s Big Adventure (1985).

Survivors also include his sister Debra Paget, who starred in such films as Broken Arrow (1950), Love Me Tender (1956) — Elvis Presley’s first movie — and The Ten Commandments (1956).

His other two sisters were actresses as well: Lisa Gaye, who starred in the 1956 musical films Rock Around the Clock and Shake Rattle & Rock!, and Teala Loring, who did lots of B-movies. They died in 2016 and 2007, respectively.

Ric Sagliani, Martin’s regular makeup artist, had employed Griffin to work with him on Martin’s Pennies From Heaven (1981) and Three Amigos! (1986). But with the actor set to wear a large prosthetic nose for more than three months in Roxanne (1987), a modern retelling of Cyrano de Bergerac, Sagliani decided to pass on that gig, leaving it to Griffin.

“Ric was a lovely guy, but he didn’t want to tackle that nose,” Griffin told Steve Rubin on a 2022 episode of his Saturday Night at the Movies podcast. “I said [to Martin], ‘Fine, I’ll have you for this picture, and Ric can have you back for the next one.’”

That next one was Planes, Trains & Automobiles (1987), which Sagliani turned down as well, not wanting to go on location, Griffin noted. “So I guess if you say no to Steve twice, that is it,” he said. “I just stuck with him from then on. He was such a delight.”

Griffin then worked with Martin on Parenthood (1989), My Blue Heaven (1990), Father of the Bride (1991), L.A. Story (1991), Grand Canyon (1991), HouseSitter (1992), Leap of Faith (1992), A Simple Twist of Fate (1994), Father of the Bride Part II (1995), Sgt. Bilko (1996), The Spanish Prisoner (1997), Bowfinger (1999), Novocaine (2001), Cheaper by the Dozen (2003), Bringing Down the House (2003) and Shopgirl (2005), his final credit.

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The second of four kids, Frank Henry Griffin Jr. was born in Denver on June 25, 1929. His mother, Margaret, was a vaudeville performer who gave her children stage names that she thought were “the perfect length for a movie marquee.” His father, Frank Sr., was a house painter and later a laborer at Columbia Pictures.

The family ultimately settled in Los Angeles in 1942 after Paramount signed Teala, who was seven years his senior, to a contract, and for a time they lived across the street from the lot. Later, Debra landed a deal at 20th Century Fox.

Griffin and Debra attended the Hollywood Professional School and studied acting with Queenie Smith. While she became a star right away, he got a job as a laborer at Columbia, just like his dad, before he made his acting debut in Lightning Guns (1950).

Billed as Reull Shayne, he had bit parts in such films as Fort Savage Raiders (1951), Teen-Age Crime Wave (1955) and The Giant Claw (1957), and on TV shows including Death Valley Days, Sergeant Preston of the Yukon and U.S. Marshal.

“I was never happy [acting], I had always felt I was poorly trained,” he told Rubin. “Had I really wanted to do it, I would’ve had to have had the balls to go back to New York and study there.”

Griffin returned to studio labor before he got makeup jobs at CBS and then Fox, working on The Tammy Grimes Show and The Green Hornet. His first film as a makeup artist was Sam Whiskey (1969), starring Burt Reynolds and Angie Dickinson.

He also handled makeup for A Man Called Horse (1970), The Hired Hand (1971), Black Gunn (1972), Demon Seed (1977) and She’s So Lovely (1997), and on the first two seasons (1977-79) of CBS’ Lou Grant, starring Ed Asner.

He said Asner — whom he lovingly called “Uncle Waldo” — and Martin were his favorite actors to work with.

In addition to Roxane — so named because Cyrano was a favorite love story of his — survivors include his other children, Beau (a grip in Hollywood), Garrett, Frank and Gayle; his grandchildren, Brandon, Jesse, Cassandra, Griffin, Kelsey and Lindsay; and former Hollywood hairstylist Linda Trainoff, with whom he lived for the past 43 years.

GRIFFIN, Frank (Frank Henry Griffin Jr.)

Born:6/25/1929, Denver, Colorado, U.S.A.

Died: 9/4/2024, Studio City, California, U.S.A.

 

Ford Friffin’s westerns – makeup artist, actor:

Fort Savage Raiders – 1950 (Rog Beck)

Lightning Guns – 1950 (Jim Otis)

Devil’s Canyon – 1953 (guard)

Death Valley Days (TV) – 1955 (Steve)

Love Me Tender – 1956

Sergeant Preston of the Yukon (TV) – 1957 (Constable Dignum)

Bullwhip – 1958 (Keeler)

U.S. Marshal (TV) – 1959 (deputy)

Zane Grey Theater (TV) – 1960 (Stantup)

Sam Whiskey – 1969 [makeup artist]

The Andersonville Trial (TV) 1970 [makeup artist]

A Man Called Horse – 1970 [makeup artist]

The Hired Hand – 1971 [makeup artist]

Cry for Me Billy – 1972 [makeup artist]

The Great Northfield Minnesota Raid – 1972 [makeup artist]

Westworld – 1973 [makeup artist]

Barbary Coast (TV) – 1975 [makeup artist]

Three Amigos! – 1986 [makeup artist]

Thursday, September 5, 2024

RIP Manuel Antin

 

Manuel Antín, master of Argentine cinema, dies

He was 98 years old. He directed a celebrated trilogy of films based on works by Julio Cortázar. His legacy includes the founding of the Universidad del Cine and the eradication of censorship when he took over as head of INCAA in December 1983.

infobae

Saptember 5, 2024

 

Manuel Antín, a key figure in Argentine cinema, has died at the age of 98. Born on February 27, 1926 in Las Palmas, Chaco, Argentina, Antín made a difference in the country's film industry both for his filmography and for his role in various institutions related to cinema. He was a filmmaker, screenwriter, producer, playwright, poet, former director of INCAA, founder of the Universidad del Cine and teacher. He is an indispensable figure in the history of Argentine cinema.

In his career, Antín directed and produced multiple feature films, including Don Segundo Sombra (1969) and a trilogy of film adaptations of Julio Cortázar's work: La cifra impar (1962), based on the story "Cartas de mamá"; Circe (1964), based on the work of the same name; and the feature film Intimacy of the Parks (1965), which takes up "Continuity of the Parks" and "The Idol of the Cyclades".

Both worked together through an intense correspondence of letters and audios sent by mail: while the director prepared the production and filmed in Argentina, the writer, already settled in France, sent his contributions to the construction process.

His vision and talent allowed him not only to shine as a filmmaker but also to leave an indelible mark on the Universidad del Cine (FUC), which he founded in 1991. This institution trained new generations and consolidated its position as a vital space for learning and film production.

Appointed as Director of the National Film Institute (INC) in 1983, Antín managed a crucial transformation for the industry: the elimination of the Cinematographic Qualification Entity, the entity responsible for censorship during the military dictatorship in Argentina. This measure, promoted by the first decree of President Raúl Alfonsín, allowed filmmakers to exercise their work with greater freedom of expression and create works without arbitrary political restrictions.

Antín's influence in the INC was not limited to the eradication of censorship. He also promoted the reopening of film schools and the creation of the Image and Sound Career at the University of Buenos Aires (UBA), in collaboration with the Faculty of Architecture and Urbanism (FADU). In addition, his work as a teacher and promoter of new voices in cinema was fundamental for the growth and diversification of national cinema.

Manuel Antín not only stood out on the big screen; he also ventured into other cultural fields as a novelist, poet and playwright. His literary work, like his films, covered various themes and styles, consolidating him as a multifaceted figure in Argentine culture.

Throughout his life, Antín was acclaimed for his ability to manage cultural institutions and promote young talent. His commitment to the education and training of filmmakers was a distinctive feature of his career, the legacy of which is kept alive at the Universidad del Cine and in the various generations of filmmakers who were trained under his tutelage.

Manuel Carlos Antín will always be remembered for his contribution to the culture and cinema of Argentina. His departure marks the end of an era, but his legacy will live on over time. Antín remains a member of the Academy of Motion Picture Arts and Sciences of Argentina, a recognition that underscores his significant contribution to the seventh art.

ANTIN, Manuel (Manuel Carlos Antin)

Born: 2/27/1926, Las Palmas, Chaco, Argentina

Died: 9/5/2024, Buenos Aires, Buenos Aires, Argentina

 

Manuel Atin’s western- producer, director, writer:

Don Segundo Sombra - 1969

Tuesday, September 3, 2024

RIP Ivan “Red Cloud” Wolverton

 

In Memory: Ivan "Red Cloud" Wolverton

American Morgan Horse Association

August 16, 2024

 

Ivan Wayne Wolverton, known as Red Cloud in the cowboy country, ascended the steps to Cowboy Heaven on Sunday, July 14, 2024. Born in Kansas City, Kansas – September 22, 1929; he was 94 at time of passing. Red Cloud was a real cowboy, one of the last of a breed. More than that, he was, is, "one of a kind," "one in a million," "a legend". Those words were expressed as friends learned of his passing. Red Wolverton had a huge personality whose presence touched a lot of people.

In the first act of his life, he drove horses as a boy in the Kansas fields, then learned to ride in Colorado where he lived with his 8 brothers and sisters. He left school young and went to Oregon, where he was hired on in the Big Ranch country, of the ZX and MC ranches. He rode the broncs others couldn't ride, lived and loved the cowboy life. Back in Colorado, he met the love of his life, Margery, and together they raised four children. He embarked on the second act of his life when he achieved the dream of getting a stagecoach, raising and training a 6-horse hitch, and driving along the Overland Trail for America's Bicentennial. That lead into working in western movies in Colorado and Arizona, including "The White Buffalo" and "Comes A Horseman."

The name Red Wolverton became synonymous with Stagecoach Driver, on such films as "Stagecoach," "Posse," "Tombstone." That 6-up of Morgan horses with Red on the box galloping at the camera was a moment imprinted in many people's minds. Red and his family provided livestock for western movies out of Tucson for more than 30 years, including the "Desperados," "Dead Man," "Beastmaster," "The Alamo," and "Comanche Moon." Many people in Tucson remembered Red and the Wolvertons as the first family in westerns. He also drove a ten-up of horses pulling freight wagons along the Highway 50 Wagon Train near Placerville, California, in the 1980's and 1990's, and in the Kanab Western Legends Roundup in Utah.

The final act of his life was spent living with his daughter, Holly, near Fredonia, Utah. His life and legacy lives on through his son Kip, daughters Holly, Tammie, and Wendy; his eight grandchildren, and 17 great-grandchildren. His wife of almost 70 years, Margery Wolverton survives him. He will not be forgotten. He has big boots to fill. He is remembered as a great storyteller, an author, a singer, and a larger than life hero. He is an icon. Adios Red. Vaya Con Dios.

A funeral service was held on Saturday, July 20, 2024, in the Fredonia Ward Chapel in Fredonia, Arizona, with burial in the Fredonia Cemetery under the direction of Mosdell Mortuary.

WOLVERTON, Ivan (Ivan Wayne Wolverton)

Born: 9/22/1929, Kansas City, Kansas, U.S.A.

Died: 7/14/2024, Fredonia, Arizona, U.S.A

 

Ivan “Red Cloud” Wolverton’s westerns – wrangler, stuntman, actor:

The Man Hunt – 1984 [Red Wolverton]

Stagecoach – 1986 [head wrangler]

Desperado (TV) – 1987 (stage driver)

Desperado: Avalanche at Devil’s Ridge (TV) – 1988 [livestock]

Longarm (TV) – 1988 [livestock]

The Return of Desperado (TV) – 1988 [stunts]

Desperado: Badlands Justice – 1989 [stunts]

Desperado: The Outlaw Years (TV) – 1989 [stunts, livestock]

Brotherhood of the Gun (TV) - 1991

Posse – 1993 [stunts, livestock coordinator] [Red Cloud Wolverton]

Shadowhunter – 1993 [stunts] [wrangler]

Tombstone – 1993 [wrangler]

The Last Bounty Hunter – 1994 [wrangler]

The Man Behind the Gun – 1994 (Singer) [stunts, writer]

Dead Man – 1995 [wrangler]

Los Locos – 1997 [stunts]

Comanche Moon - 2008

RIP Gustavo del Castillo

 

What did Gustavo del Castillo Negrete, beloved Mexican actor who began his career with Chespirito, die of?

The actor died at the age of 76 and poured countless television memories of Mexican history

Infobae

By Luis H. Mora

September 3, 2024

 

Renowned Mexican actor Gustavo del Castillo Negrete passed away on Sunday, September 1, 2024, leaving a great void in the entertainment industry in Mexico. The actor, known for his work in television, film and theater, died at the age of 76.

The National Association of Actors (ANDA) and the National Association of Performers (ANDI) deeply regretted the loss of Gustavo del Castillo Negrete. Both institutions issued statements in which they expressed their condolences to the family and friends of the performer, as well as their recognition of his artistic career.

ANDI communicated: "The National Association of Interpreters communicates the sensitive death of our interpreter partner Gustavo del Castillo Negrete. To his family and friends we send our most heartfelt condolences on behalf of the Board of Directors and Vigilance Committee of ANDI." In their message, they emphasized Del Castillo Negrete's great contribution to culture and entertainment in Mexico.

For its part, the ANDA also expressed its condolences, highlighting the dedication and passion that Gustavo showed throughout his career: "Gustavo was a performer committed to his art, always leaving a mark in each of the projects in which he participated," they mentioned in their statement.

So far, the specific cause of death of Gustavo del Castillo Negrete has not been confirmed. The family and the associations involved have not provided further details about the reason for his death, keeping this information confidential. However, the news has poured countless memories of the history of television in Mexico, regarding his career.

Gustavo del Castillo Negrete is remembered for his outstanding work on Mexican television, where he left an indelible mark thanks to his participation in programs such as Chespirito and Mujer, casos de la vida real, hosted by Silvia Pinal. His versatility as an actor allowed him to give life to endearing characters, with which he won the affection of the public and established himself as one of the most beloved actors of his generation.

On television he is remembered for his contribution in great productions such as the soap opera Amor Real, where he perhaps played his most remembered role. However, she was also part of productions such as Cuna de lobos, Alcanzar una estrella, Rosa Salvaje, Alondra, Luz Clarita, El privilegio de amar, Cómplices al rescate, El manantial or La fuerza del Destino.

In the cinema, his talent was reflected in memorable films such as Capulina contra los monstruos (1974), Superzán el invencible (1971), Dulce desafío (1988) or Alcanzar una estrella (1990). His ability to adapt to different roles and genres, from comedy to drama, made him a versatile and respected performer in the entertainment industry in Mexico.

The departure of Gustavo del Castillo Negrete leaves a great void in the Mexican artistic environment. His legacy, made up of decades of dedicated work and iconic characters, will live on in the memory of those who had the opportunity to enjoy his talent in television, film and theater.

del CASTILLO, Gustavo (Víctor Gustavo del Castillo-Negrete Solís)

Born: 1948, Mexico

Died: 8/31/2024, Mexico City, Federal District, Mexico

 

Gustavo del Castillo’s westerns – actor:

Los hijos de Satanas – 1972 (Esbirro de Yara)

Manuel Saldivar, el texano – 1972

Los hombres no lloran – 1973 (Aurelio’s friend)

Traiganlos vivos o Muertos – 1974

Vibra caliente – 1978 (Jacinto)

La carreta de la Muerte – 1996 (barman)

RIP Eric Gilliland

 

Eric Gilliland, Former Comedy Writer For ‘Roseanne’ & ‘My Boys,’ Has Died 

DEADLINE

By Lynette Rice

September 2, 2024

 

Eric Gilliland, a longtime comedy writer best known for his work on Roseanne, died Sept. 1. The cause was cancer.

Gilliland, an Illinois native and 1984 graduate of Northwestern University, wrote for the ABC comedy from 1992 to 1996. He went on to consult on The Conners in 2019.

His first big writing gig in TV was on Who’s the Boss? He went on to write for Living Dolls, The Wonder Years, Doogie Howser, M.D., That ’70s Show and My Boys. His most recent project was the podcast The Cinnamon Bear: A Holiday Adventure.

Gilliland received WGA Award nomination in 1994 for Roseanne. In 2019, he received a Daytime Emmy nomination for writing the children’s show The Was Was? Show.

Away from TV, Gilliland was quite the whistler. His tooting was featured on Sam Winch’s The Lullabadeer and on the soundtrack for an episode of Penn & Teller: Bullshit!.

Tributes to Gilliland continue to pour in on Facebook, like this one from Modern Family co-creator Steve Levitan, “Weird, I know, but I found myself thinking this morning that Eric Gilliland would have taken some perverse pleasure in knowing that, of all people, he was outlived by Dick Van Dyke. That’s one of the ways Eric and I bonded back in 8th grade, over our mutual love for The Dick Van Dyke Show. And Monty Python, Jack Benny, The Carol Burnett Show, SNL and bad puns. (Yes, people, we started a pun club). Eric was just plain smart and funny. In high school, we did plays and musicals and comedy assemblies, parts of which we even co-wrote. He somehow pulled off the impossible of being biting and sweet at the same time. While doing a comedy show called, Little Bucky for our local Glenview radio station with our friends Thalia Kalodimos and Betsy Brennan, I was so bad at doing accents that Eric nicknamed me, “The man with a thousand voices.”

Gilliland’s fellow Roseanne scribe Stan Zimmerman wrote this: “After a particularly brutal day of ‘abuse’ from Roseanne, the writing staff decided to take out our anger and smoosh food all over one of her framed publicity photos on the wall in our main office. Somehow, I ended up with the only Polaroid. And there’s Eric, smiling brightly, front and center. As others have more eloquently described Eric as an extremely bright, witty and dry writer/humorist/person, I know he looked at me and Jim’s open queerness in the writers’ room as both brave, scary and yet very appealing. Fly high, my friend. In all the colors of the rainbow. You were loved (and cherished) by so many.”

There was also this gem from Roseanne vet Matt Berry: “For the past two days I have been trying to decide which of the countless stories involving Eric Gilliland I would like to share with his other friends and family as we all deal with this brutal news. I have decided — and it was not easy to pick one — it will be The Story of Eric and the Potato Bar. The television show Roseanne was produced by Carsey-Werner, which was, as production companies go, an excellent company. The pay was high, the shows were popular, and the writing staffs were, by and large, of very high quality. They also had a pretty good chef who prepared a free lunch and dinner for the employees. They were like Google before Google.”

“On Roseanne we ALWAYS were there for dinner. In fact, we were sometimes there for the following day’s breakfast. So every night, as dinner time approached, Eric would send a PA down to the kitchen to scope out what would be for dinner. And after one of those recon missions to the kitchen the PA came into the writers room and told Eric that the dinner for that evening would be a potato bar. Now, we had very little to live for on the Roseanne show, and the news that one of the tiny blessings that we did have — a catered dinner — was going to be a potato bar was received with much weeping and gnashing of teeth. And Eric decided that the potato bar could go fuck itself.”

“Eric decided that rather than partaking of the catered dinner that night, we were going to order food — using the show’s credit card — from a restaurant. But not just a regular restaurant — one of the great, expensive, Show Biz Italian restaurants in the area. Menus were photocopied and distributed, and Eric urged us to order anything and everything that we wanted. And we did. We ordered Italian bread and seasoned olive oil to dip it in; we ordered calamari and shrimp and mussels marinara and artichokes and baked clams; we each ordered at least one entrée — veal piccata, chicken parmigiana, ravioli, lasagne, scampi, lamb chops, beef tenderloin. We ordered EVERYTHING. Dan Palladino and I ordered multiple bottles of chianti. We ordered desserts. I think somebody ordered a t-shirt.”

“An hour or so later the caravan of PAs that had gone to collect the food began to carry it into the writers room and place bag after bag of incredible-smelling food onto the giant table that we all sat around during our writing sessions. There were heaps of food. Mounds. There was food on top of food that slid off and landed on top of food. It was a feast that Caligula would have considered a little over the top. The room was joyous as we tore open one bag after another — we were alive again! People were yelling, laughing, shoving food into their mouths. I was running out of the room to find a corkscrew for Palladino and my wine when I passed Eric, who was quietly seated at the head of the table, preparing to enjoy his dinner. As I was passing him I said, ‘What did you get, Eric?’ He looked at me, smiled that great flat smile of his, and opened his to-go package. And there it was. Eric had gotten a baked potato.”

GILLILAND, Eric (Eric Rauymond Gilliland)

Born: 3/28/1962, Glenview, Illinois, U.S.A.

Died: 9/1/2024, New York City, New York, U.S.A.

 

Eric Gilliland’s western – writer:

The Who Was Show: Sacajawea - 2018

Monday, September 2, 2024

RIP James Darren


James Darren, Teen Idol Actor in ‘Gidget,’ Singer and Director, Dies at 88

Variety

By Pat Saperstein

September, 2, 2024

 

James Darren, who went from teen idol status acting in youth-oriented movies like “Gidget” to become an actor in TV shows such as “Star Trek: Deep Space Nine” and “T.J. Hooker” and a singer and director, died Monday at Cedars-Sinai Hospital in Los Angeles. He was 88.

His son Jim Moret said that he had been able to express his love for his family while being treated in the cardiac unit. “He was a good man. He was very talented,” Moret said. “He was forever young.”

Moret said he was grateful that his father had been able to embrace his signature role as Moondoggie in the “Gidget” movie and that he continued to interact with his fans.

Born in Philadelphia, he studied acting with Stella Adler in New York and was signed to Columbia Pictures, where his first role was in “Rumble on the Docks.” He went on to appear in films including “Operation Madball” and “Gunmen’s Walk” before being cast in the 1959 teen movie “Gidget,” starring Sandra Dee and Cliff Robertson. Darren also sang the title track for the hit movie, which was based on the experiences of a teenaged surfer girl in Malibu and later became a popular TV series.

The “Gidget” theme song launched a successful singer career for Darren, who had a gold record with “Goodbye Cruel World” in 1961. He continued to appear in feature films including “The Gene Krupa Story,” “All the Young Men” and “Because They’re Young.”

He is survived by his wife Evy, sons Jim Moret, Christian Darren and Tony Darren and five grandchildren.

DARREN, James (James William Ercolani)

Born: 6/8/1936, Philadelphia, Pennsylvania, U.S.A.

Died: 9/2/2024, Los Angeles, California, U.S.A.

 

James Darren’s westerns – director, actor:

Gunman’s Walk – 1958 (Davy Hackett)

Walker, Texas Ranger (TV) – 1993 [director]

Lucky – 2017 (Paulie)