GHINI, Romano
Born: 7/2/1934, Parma, Emilia-Romagna, Italy
Died: 10/25/2020, Rome, Lazio, Italy
Romano Ghini’s western – voice dubber:
Trinity is Still My Name - 1971 [Italian voice of Fortunato Arena]
California – 1977 [Italian voice of Chris Avram]
Billy Joe Shaver, Seminal Outlaw Country Songwriter, Dead at 81
Rolling Stone
By Joseph Hudak, Patrick Doyle
October, 28, 2020
Billy Joe Shaver, the outlaw country music pioneer who wrote some of the genre’s greatest songs, died Wednesday in Waco, Texas, after suffering a stroke. He was 81. Connie Nelson, a friend of Shaver’s, confirmed his death to Rolling Stone.
Shaver’s hard-lived career classics included “Honky Tonk Heroes,” “Georgia on a Fast Train,” “Old Five and Dimers Like Me” and “Live Forever.” He wrote ten out of the 11 songs on Waylon Jennings’ 1973 outlaw country breakthrough Honky Tonk Heroes; Kris Kristofferson, Johnny Cash, and Elvis Presley all recorded his songs; and in 2010, Willie Nelson called him “the greatest living songwriter.”
Shaver lived the outlaw lifestyle that others only sang about. In 2007, he was charged with shooting a man in the face at a bar near his home in Waco. The trial drew friends including Nelson and the actor Robert Duvall in support of Shaver, who was ultimately found not guilty and went on to turn the ordeal into a song, “Waxko From Waco.”
Born in Coriscana, Texas, on August 16th, 1939, Shaver was raised by his mother, Victory, and would later leave town to find a job working at a honky-tonk in Waco. He would often accompany his mother to her job at the local nightclub, where he became exposed to country music. In the early Sixties, Shaver moved to Houston, and frequented a club called the Old Quarter where he met Townes Van Zandt. They became drinking buddies, and their friendship led him to Nashville. He scored an apprenticeship for Harlan Howard, and then a job working for Bobby Bare.
“Billy Joe was already there before anybody was talking about an outlaw movement,” said Steve Earle, an early fan. “And I come from the generation that moved to Nashville because people started talking about an outlaw movement.”
But Shaver had a hard time breaking through in Nashville, where he was rejected by artists like Chet Atkins. He found a fan in Kris Kristofferson, who recorded his song “Good Christian Soldier” for his debut album. In 1971, Kristofferson invited Shaver to play Willie Nelson’s picnic, the Dripping Springs reunion, in Austin. Shaver’s performance at the picnic was famously uneven, but afterward, he attended a songwriting circle where he played “Willy the Wanderin’ Gypsy and Me,” a soaring ode to Nelson. Jennings liked what he heard. “He said, ‘Do you got any more of them cowboy songs?” Shaver recalled to Rolling Stone. “I said, ‘I got a sack full of them.”
Jennings promised to listen to those songs. But for weeks, Shaver didn’t hear anything. “I wasn’t used to that drunk talk where they get high and say they’re going to do something and don’t do it.” Shaver traveled to Nashville to seek out Jennings at a recording studio. “I told him, ‘If you don’t listen to them, I’m going to whip your ass right here in front of God and everybody,'” Shaver said. “And I was ready.”
Jennings listened to the songs, including the swampy “Honky Tonk Heroes,” which became the title track of his next album. “He just slapped his leg and said, ‘I know what I got to do,'” Shaver said. Jennings’ 1973 LP Honky Tonk Heroes became one of the defining albums of outlaw country, but Shaver couldn’t catch a break as a mainstream artist on his own. After his debut album, Old Five Dimers, was released in 1973 by Monument, the label went out of business.
Shaver’s drug use escalated — one night in the mid-Seventies, he drove his car through the plate-glass window of a car dealership. “I was welcome anywhere I went because I wrote good music that entertained entertainers,” Shaver said. “It’s just that I didn’t have the management and stuff like that. They said I was unmanageable.”
In fact, Shaver’s life was peppered with tragedy. When he was 21, he lost two fingers on his right hand in a sawmill accident (“I ain’t no finger-pointer,” he would joke. “I can’t”). He married one of his wives, Brenda, three separate times and lost her to cancer in 1999. Around that same time, his mother (whom he sang about in “My Mother’s Name Is Victory”) died. Then on the morning of December 31st, 2000, his son and creative partner Eddy Shaver, a fiery guitarist who recalled Stevie Ray Vaughan, was found dead of a heroin overdose.
A grieving Shaver performed that same evening at a New Year’s Eve concert with Nelson.
“Willie put a band together. My band just went nuts, they all flaked out and went off crying and stuff. But Willie called me up…and said, ‘Billy, you gotta get back on the horse,’” Shaver said. “And I’m an old cowboy, I know what he’s talking about. So I got up there.”
Shaver told Rolling Stone he considered taking revenge for his son’s death — until Nelson’s cooler head prevailed. “I knew where [the drugs] came from — that drug dealer, I would have shot him up and killed him instead of calling the police,” he said. “But Willie talked me out of it. He said, ‘You’re best just leaving it alone.’ And I did. I just left it alone. But you don’t ever forget something like that.”
Shaver trudged forward, releasing the final album he and Eddy had recorded, The Earth Rolls On, in April 2001. Freedom’s Child came in 2002, and in 2007 he released what would be his last studio album for nearly seven years, Everybody’s Brother. In 2014, he released his final album, Long in the Tooth, and professed his lifelong commitment to songwriting in a sprawling interview with Rolling Stone that year, sipping on Red Bulls from a tattered bag he carried with him onstage.
“Not everyone can be dedicated to it. I’m a songwriter first and then whatever else I do second… I enjoy the heck out of entertaining and I enjoy all the aspects of what comes with it, but the song is like the cheapest psychiatrist there is,” Shaver said. “And I pretty much need one all the time.”
Shaver recorded and toured up until his death. Just this past January, he joined Tanya Tucker onstage at Nashville’s Ryman Auditorium to perform “I’m Just an Old Chunk of Coal.”
In 2004, Shaver was inducted into the Nashville Songwriters Hall of Fame. But while he’s mentioned in the Country Music Hall of Fame’s exhibit devoted to outlaw country, his own induction has eluded him — an oversight that continued to confound the ornery Shaver.
“If you don’t want to put me in there, that’s fine. But I just don’t understand it to tell you the truth,” he said. “I feel like I am part of the foundation and maybe even a cornerstone. I think I’m that much.”
SHAVER, Billy Joe
Born: 8/16/1939, Corsicana, Texas, U.S.A.
Dead: 10/28/2020, Waco, Texas, U.S.A.
Billy Joe Shaver’s westerns – actor, performer:
A Night in Old Mexico – 2013 (old man at gas station)
Wild Horses – 2015 [performer]
Hell or High Water – 2016 [performer]
CTV News
October 27, 2020
MONTREAL -- Quebec actor Jacques Godin has passed away at the age of 90.
His agency, Goodwin, said in a press release that he suffered from heart failure on Monday at the Verdun Hospital.
The date of the funeral has yet to be announced.
The Montrealer marked the cultural landscape of Quebec for many decades, having appeared in more than 230 productions on radio, theatre, television and film.
Montreal Mayor Valerie Plante took to Twitter on Tuesday to recognize his contribution to the arts in the province.
After being introduced to the world of theatre in parish productions, Godin made his real professional debut on radio -- notably in radio novels for Radio-Canada.
He also participated in the beginnings of Quebec television, with roles in "14, rue de Galais," "Cap-aux-sorciers," "Les belles heures des pays d'en haut" and "Radisson."
Among his most striking characters are those of Victor Téoli in "Montreal P.Q." by Victor Lévy-Beaulieu, and Jérémie Martin in "Sous le sign du lion" -- a role that earned him two Gemeaux awards in 1998 and 2001.
He won other Gemeaux awards for his supporting role in the series "Toute la verite" in 2012, and "La charge de l'orignal epormyable" -- an adaptation of a play by Claude Gauvreau in 1993.
The theatre also occupied an important place in his career, and Godin performed on stage in more than 60 plays over the years, touching on the repertoires of Arthur Miller and Anton Tchekhov, but also of Michel Tremblay, William Shakespeare, Eugene Ionesco, Victor Lévy-Beaulieu and Samuel Beckett, among others.
Godin also held several roles in cinema. Among others, he appeared in "Being at Home with Claude," "La donation" and "La derniere fugue."
In 2010, he told La Presse that he was nowhere near ready to retire -- despite his age -- but that for part of his career, he waited in vain for the phone to ring.
"I was not being hired. In my condition, I expect people to call me. I tell myself that I have worked seriously over the course of my life. I have spent two years without working. But me, not working -- it depresses me. A lot of people my age have difficulty with the sets, but I don't have a problem," he said.
As of 2013, he decided to dive into a new adventure by combining the stage and music -- he became the show narrator for the young virtuoso pianist and composer, Philippe Prud'homme.
In June 2017, he was made a knight in the Ordre national du Québec.
The actor is survived by his wife of 30 years, journalist Brigitte Bougie, his daughter Pascale (Yvan Girard), his granddaughter, Esther Girard-Godin (Xavier P-Laberge) and his great-granddaughter, Jeanne.
GODIN, Jacques, (Joseph Ozias Jacques Godin)
Born: 9/14/1930, Montréal, Québec, Canada
Died: 10/26/2020, Montréal, Québec, Canada
Jacques Godin’s western – actor:
Tomahawk (TV) – 1957 (Pierre Esprit Rodisson)
